Odes 1.18

The pleasures and dangers of wine

by Horace

Another ode written in tribute to Alcaeus, one of Horace’s most revered Greek models. The advice in the first pair of lines appears in a surviving fragment, though we do not know how many or few other parallels there were. Who Varus, Horace’s first addressee, was is not clear. Catilus was one of the legendary founders of Tibur. In myth, brawls broke out at the wedding of Pirithous, king of the Lapiths, when a Centaur tried to rape Hippodameia, the bride. The various terms in which Horace addresses Bacchus are all cult names of his, Euhius deriving from a cry of ecstasy and Bassareus referring to the fox-skins that the maenads were said to wear. The things that Horace says he will not bring into the light are Bacchic cult-objects, kept when not in use in boxes with vine-leaf wrappings. Thracians were proverbial for hard drinking, and the Sithonians were a Thracian people: goodness knows what exactly they got up to, as Professor Roland Mayer, author of the current Cambridge Edition of Odes 1, observes.

The poem is written in greater Asclepiads, the uncommon longest form of the Asclepiadic line.

See the illustrated blog post here.

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Nullam, Vare, sacra vite prius severis arborem
circa mite solum Tiburis et moenia Catili;
siccis omnia nam dura deus proposuit neque
mordaces aliter diffugiunt sollicitudines.
quis post vina gravem militiam aut pauperiem crepat?
quis non te potius, Bacche pater, teque, decens Venus?
ac ne quis modici transiliat munera Liberi,
Centaurea monet cum Lapithis rixa super mero
debellata, monet Sithoniis non levis Euhius,
cum fas atque nefas exiguo fine libidinum
discernunt avidi. non ego te, candide Bassareu,
invitum quatiam nec variis obsita frondibus
sub divum rapiam. saeva tene cum Berecyntio
cornu tympana, quae subsequitur caecus amor sui
et tollens vacuum plus nimio gloria verticem
arcanique fides prodiga, perlucidior vitro.

Plant no other tree, Varus, about the kindly soil of Tibur and Catilus’s walls, in preference to the sacred vine – the Gods has given abstainers everything that makes life difficult, and only through the vine do gnawing worries dissipate. After wine, who harps on about the hardships of soldiering, or poverty? Who, rather, doesn’t speak of you, Father Bacchus, and you, lovely Venus? The brawl that the Centaurs fought out with the Lapiths when drunk with wine teaches the lesson, though, that no-one should abuse the gifts of Liber, who is moderate, and the Sithonians too are an example, with whom Euhius is so severe when, spurred on by their lust, they draw too fine a line between what is right and what is wrong. I will certainly not rouse you against your will, bright Bassareus, nor will I bring the objects that you keep hidden out from under their wrapping of dappled leaves into the light of day. Keep silent your wild drums and Cybele’s horn – blind self-love follows on them, and the vanity that lifts its empty head far, far too high, and “trust” of the kind, more transparent than glass, that keeps no secrets.

`

More Poems by Horace

  1. The final ode
  2. Lydia’s tragedy
  3. Horace’s Cleopatra ode
  4. Awe for the Gods
  5. Romulus becomes a God
  6. Diana and Apollo: a hymn
  7. Lovely mother, lovelier daughter
  8. Unrequited love
  9. Give me comfort, not riches
  10. A Farewell to arms
  11. Leave the cares of state, Maecenas
  12. Gathering rosebuds: carpe diem
  13. Augustus returns
  14. Here’s to Murena!
  15. Valgius and Mystes
  16. A plea for burial
  17. Some advice for Dellius
  18. Don’t trust Barine
  19. Gyges’s constancy
  20. A prayer to Mercury
  21. The victories of Drusus and Tiberius
  22. Neobule
  23. An oath to Maecenas
  24. An invitation to Maecenas
  25. A garland from the Muses
  26. Nereus prophesies the Trojan War
  27. Caesar’s safe return
  28. Horace the swan
  29. Roman values for the new age
  30. The Golden Mean
  31. The consolations of wine
  32. Horace’s reverence to Bacchus
  33. Housman and Horace
  34. A tactful compliment
  35. Licymnia
  36. Horace’s Chloe
  37. Don’t worry, be happy
  38. Horace, the wolf and the upright life
  39. Tibur or Tarentum: a poet’s dilemma?
  40. Horace’s limitations
  41. Be your age, Chloris!
  42. Horace returns to lyric poetry
  43. What Roman youth should be
  44. Horace the peacemaker
  45. Horace’s monument
  46. A change of mind
  47. Celebrating Neptune’s feast day
  48. Horace’s wine
  49. Love a slave-girl? Oh, Xanthias!
  50. Europa’s lament
  51. A Prayer to the poetry-God
  52. Horace’s prayer to a wine-jar
  53. Courage and decadence: the Regulus ode
  54. Love lost and found
  55. A call for a moral renaissance
  56. The fleeting years slip by
  57. A day off for rain
  58. Last love
  59. Relief from care
  60. Glycera
  61. Wealth should be used, not hoarded
  62. Horace, accepted bard of Rome
  63. Rome: disaster and salvation
  64. Soracte
  65. New temples, new morals
  66. Pollio’s histories of civil war
  67. Iccius goes soldiering
  68. Curse you, tree!
  69. Pindar and Augustus
  70. A divine inspiration
  71. Horace rests from his labours
  72. Poetry, the giver of immortality
  73. Late stirrings
  74. Pyrrha
  75. Lalage is too young
  76. Jupiter’s authority, and Caesar’s
  77. The lust for money versus the simple life
  78. Horace’s fame and Apollo’s gift
  79. A prayer to Venus
  80. Stormy seas
  81. Lyce grows old
  82. A dedication to Diana
  83. Mourning for a good man
  84. Horace welcomes his army comrade
  85. Horace’s first Ode
  86. A prayer to Faunus
  87. Locked out
  88. Luxury versus the simple life
  89. A country sacrifice
  90. Numida’s back
  91. An invocation to the lyre
  92. Diffugere nives
  93. The country is best
  94. The tug-of-war for Nearchus
  95. Carpe diem, Sestius
  96. Jealousy
  97. Poscimur
  98. O Fons Bandusiae
  99. Romulus in Heaven
  100. Augustus, master of the world
  101. Fortuna
  102. Postumus, the years slip by

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