Odes 3.7

Gyges’s constancy

by Horace

Gyges, a Roman merchant, has been caught out in Greece when the sailing season has ended and will not get home until spring, to the dismay of his wife or lover, Asterie (four syllables, long “e” at the end). Horace’s omniscience about the details in both locations implies that they are largely or wholly imaginary, though the overall scenario is plausible. The poem stands up well as a Roman literary treatment of circumstances which would not be out of place in Greek epigram. The characters have Greek names: they too are very likely to be imaginary, though the possibility cannot be excluded that Asterie stands for a real lady who could benefit from advice of the kind that Horace gives at the end. Oricus was a port on the Greek side of the Adriatic; the myths that the go-between mentions imply a threat that Chloe may make false accusations to her husband about Gyges if he refuses to sleep with her.

Metre: (third) Asclepiad.

See the illustrated blog post here.

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Quid fles, Asterie, quem tibi, candidi
primo restituent vere Favonii
Thyna merce beatum,
constantis iuvenem fide

Gygen? ille Notis actus ad Oricum
post insana Caprae sidera frigidas
noctis non sine multis
insomnis lacrimis agit.

atqui sollicitae nuntius hospitae,
suspirare Chloen et miseram tuis
dicens ignibus uri,
temptat mille vafer modis:

ut Proetum mulier perfida credulum
falsis inpulerit criminibus nimis
casto Bellerophontae
maturare necem, refert;

narrat paene datum Pelea Tartaro,
Magnessam Hippolyten dum fugit abstinens,
et peccare docentis
fallax historias movet.

frustra: nam scopulis surdior Icari
voces audit adhuc integer. at tibi
ne vicinus Enipeus
plus iusto placeat cave;

quamvis non alius flectere equum sciens
aeque conspicitur gramine Martio,
nec quisquam citus aeque
Tusco denatat alveo.

prima nocte domum claude neque in vias
sub cantu querulae despice tibiae
et te saepe vocanti
duram difficilis mane.

Why do you weep, Asterie, for the one the cloudless west winds will bring back to you as soon as spring arrives, Gyges, a young man of constant fidelity, flushed with success in his Bithynian trading? Driven by the south winds to Oricum after the [rising of the] violent stars of Capricorn, unable to sleep, he is passing cold nights, and not without many tears. And now a go-between from his anxious hostess is craftily tempting him in a thousand ways, saying that she, Chloe, is in misery and sighing, and burning for your man. He reminds Gyges that credulous Proetus’s unfaithful wife drove him with false accusations to plot the death of Bellerophon [because he was] too chaste; he tells how Peleus was almost sent to Tartarus when he refused Magnesian Hippolyta and fled, and the deceiver deploys other tales that teach a man to sin. But in vain, since Gyges is deafer to the talk that he hears than the rocks of the Icarian Sea, and still remains blameless. But you too, Asterie, take care that you do not like your neighbour Enipeus more than is right, though there is no-one else who draws peoples’ gaze as much on the Campus Martius for his skill in horsemanship, and no-one who swims as swiftly down the Tiber’s stream. As soon as night falls, shut up the house, don’t look out into the street when you hear the song of the plaintive flute, and if he keeps calling you cruel, keep discouraging him.

`

More Poems by Horace

  1. Horace’s first Ode
  2. Postumus, the years slip by
  3. Horace welcomes his army comrade
  4. Some advice for Dellius
  5. Romulus in Heaven
  6. Tibur or Tarentum: a poet’s dilemma?
  7. Rome: disaster and salvation
  8. What Roman youth should be
  9. Horace’s monument
  10. Pyrrha
  11. Horace’s wine
  12. Horace rests from his labours
  13. Don’t trust Barine
  14. Lalage is too young
  15. Licymnia
  16. Carpe diem, Sestius
  17. Horace’s limitations
  18. Diana and Apollo: a hymn
  19. Lovely mother, lovelier daughter
  20. Horace’s reverence to Bacchus
  21. Unrequited love
  22. The tug-of-war for Nearchus
  23. O Fons Bandusiae
  24. Lydia’s tragedy
  25. New temples, new morals
  26. The fleeting years slip by
  27. Gathering rosebuds: carpe diem
  28. Mourning for a good man
  29. Valgius and Mystes
  30. A garland from the Muses
  31. Iccius goes soldiering
  32. Diffugere nives
  33. A prayer to Mercury
  34. Horace’s Cleopatra ode
  35. Augustus, master of the world
  36. Poscimur
  37. Horace the peacemaker
  38. Awe for the Gods
  39. The consolations of wine
  40. Last love
  41. Wealth should be used, not hoarded
  42. Horace, the wolf and the upright life
  43. The final ode
  44. Give me comfort, not riches
  45. Housman and Horace
  46. Luxury versus the simple life
  47. Fortuna
  48. Soracte
  49. Jupiter’s authority, and Caesar’s
  50. The Golden Mean
  51. Locked out
  52. Horace the swan
  53. Numida’s back
  54. Horace’s Chloe
  55. Celebrating Neptune’s feast day
  56. Glycera
  57. Stormy seas
  58. Love a slave-girl? Oh, Xanthias!
  59. Courage and decadence: the Regulus ode
  60. Pollio’s histories of civil war
  61. Romulus becomes a God
  62. Jealousy
  63. Pindar and Augustus
  64. Horace returns to lyric poetry
  65. The pleasures and dangers of wine
  66. Horace’s prayer to a wine-jar
  67. Here’s to Murena!
  68. A Farewell to arms
  69. Nereus prophesies the Trojan War
  70. The country is best
  71. Don’t worry, be happy
  72. An oath to Maecenas
  73. A Prayer to the poetry-God
  74. Curse you, tree!
  75. Roman values for the new age
  76. Relief from care
  77. A change of mind
  78. A prayer to Venus
  79. A plea for burial
  80. An invitation to Maecenas
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