Odes 1.21

Diana and Apollo: a hymn

by Horace

Hymns in the form that Horace adopts here go back to earlier ages in Greece, an opening command to a chorus being a conventional feature. Octavian, the future Emperor Augustus, consecrated a new temple to Apollo in Rome in 28 BCE, and it is likely that this is what prompted the poem: cult statues of the three gods first mentioned were erected in the new temple, and it became associated with commemoration of the future Augustus’s victory over Mark Antony and Cleopatra at the battle of Actium in 31 BCE.

Woods were the haunt of Diana as the goddess of the hunt: Algidus is thought to have been a mountain in Italy, while Erymanthus and Gragus were in Greece and Asia Minor respectively. Tempe was a Greek valley associated with Apollo in myth. The bow and the lyre are conventional attributes of Apollo: “his brother’s” because the lyre was a gift from Mercury, its mythical inventor. The metre is third Asclepiad.

See the illustrated blog post here.

To listen, press play:

To scroll the original and English translation of the poem at the same time - tap inside one box to select it and then scroll.

Dianam tenerae dicite virgines,
intonsum pueri dicite Cynthium
Latonamque supremo
dilectam penitus Iovi.

vos laetam fluviis et nemorum coma
quaecumque aut gelido prominet Algido
nigris aut Erymanthi
silvis aut viridis Gragi;

vos Tempe totidem tollite laudibus
natalemque, mares, Delon Apollinis
insignemque pharetra
fraternaque umerum lyra.

hic bellum lacrimosum, hic miseram famem
pestemque a populo et principe Caesare in
Persas atque Britannos
vestra motus aget prece.

Sing, young maidens, of Diana; boys, sing of long-haired Apollo; all, sing of their Mother, Latona, so deeply loved by almighty Jupiter. Girls, sing of Diana who delights in the wooded canopy, whether the foliage that leans out from the snowy peak of Algidus, or the dark woods of Erymanthus, or the green woods of Gragus. Boys, exalt with your praises Tempe, and Delos, Apollo’s birthplace, and his shoulder adorned by the quiver and his brother’s lyre. Moved by your prayer, he it is who will drive tear-drenched war, he who will drive grievous famine and plague, away from the Roman people and Caesar, our foremost citizen, and onto the Persians and Britons.

`

More Poems by Horace

  1. Unrequited love
  2. The Golden Mean
  3. The fleeting years slip by
  4. Horace the swan
  5. Horace’s wine
  6. Lovely mother, lovelier daughter
  7. Last love
  8. Courage and decadence: the Regulus ode
  9. Nereus prophesies the Trojan War
  10. Horace the peacemaker
  11. A prayer to Venus
  12. Lydia’s tragedy
  13. Luxury versus the simple life
  14. The country is best
  15. Valgius and Mystes
  16. Mourning for a good man
  17. Horace’s Cleopatra ode
  18. A plea for burial
  19. Pollio’s histories of civil war
  20. Awe for the Gods
  21. Diffugere nives
  22. Horace rests from his labours
  23. Soracte
  24. Stormy seas
  25. Horace’s prayer to a wine-jar
  26. Horace’s limitations
  27. Relief from care
  28. Tibur or Tarentum: a poet’s dilemma?
  29. Curse you, tree!
  30. Wealth should be used, not hoarded
  31. The pleasures and dangers of wine
  32. A Prayer to the poetry-God
  33. Don’t worry, be happy
  34. The consolations of wine
  35. What Roman youth should be
  36. A Farewell to arms
  37. Gathering rosebuds: carpe diem
  38. O Fons Bandusiae
  39. Lalage is too young
  40. Love a slave-girl? Oh, Xanthias!
  41. The final ode
  42. Carpe diem, Sestius
  43. Jealousy
  44. Horace welcomes his army comrade
  45. Fortuna
  46. A prayer to Mercury
  47. Glycera
  48. Give me comfort, not riches
  49. Horace, the wolf and the upright life
  50. Horace’s monument
  51. Iccius goes soldiering
  52. The tug-of-war for Nearchus
  53. Roman values for the new age
  54. A change of mind
  55. Poscimur
  56. Don’t trust Barine
  57. A garland from the Muses
  58. Augustus, master of the world
  59. Licymnia
  60. An oath to Maecenas
  61. Rome: disaster and salvation
  62. Here’s to Murena!
  63. Pyrrha
  64. An invitation to Maecenas
  65. Postumus, the years slip by
  66. Horace’s first Ode
  67. Pindar and Augustus
  68. Horace’s reverence to Bacchus
  69. Horace’s Chloe
  70. Numida’s back
  71. Housman and Horace
  72. Horace returns to lyric poetry
  73. Some advice for Dellius
  74. Celebrating Neptune’s feast day