Odes 1.21

Diana and Apollo: a hymn

by Horace

Hymns in the form that Horace adopts here go back to earlier ages in Greece, an opening command to a chorus being a conventional feature. Octavian, the future Emperor Augustus, consecrated a new temple to Apollo in Rome in 28 BCE, and it is likely that this is what prompted the poem: cult statues of the three gods first mentioned were erected in the new temple, and it became associated with commemoration of the future Augustus’s victory over Mark Antony and Cleopatra at the battle of Actium in 31 BCE.

Woods were the haunt of Diana as the goddess of the hunt: Algidus is thought to have been a mountain in Italy, while Erymanthus and Gragus were in Greece and Asia Minor respectively. Tempe was a Greek valley associated with Apollo in myth. The bow and the lyre are conventional attributes of Apollo: “his brother’s” because the lyre was a gift from Mercury, its mythical inventor.

Metre: (fourth) Asclepiad, two standard twelve- syllable lines followed by a seven-syllable pherecretean and an eight-syllable glyconic.

See the illustrated blog post here.

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To scroll the original and English translation of the poem at the same time - tap inside one box to select it and then scroll.

Dianam tenerae dicite virgines,
intonsum pueri dicite Cynthium
Latonamque supremo
dilectam penitus Iovi.

vos laetam fluviis et nemorum coma
quaecumque aut gelido prominet Algido
nigris aut Erymanthi
silvis aut viridis Gragi;

vos Tempe totidem tollite laudibus
natalemque, mares, Delon Apollinis
insignemque pharetra
fraternaque umerum lyra.

hic bellum lacrimosum, hic miseram famem
pestemque a populo et principe Caesare in
Persas atque Britannos
vestra motus aget prece.

Sing, young maidens, of Diana; boys, sing of long-haired Apollo; all, sing of their Mother, Latona, so deeply loved by almighty Jupiter. Girls, sing of Diana who delights in the wooded canopy, whether the foliage that leans out from the snowy peak of Algidus, or the dark woods of Erymanthus, or the green woods of Gragus. Boys, exalt with your praises Tempe, and Delos, Apollo’s birthplace, and his shoulder adorned by the quiver and his brother’s lyre. Moved by your prayer, he it is who will drive tear-drenched war, he who will drive grievous famine and plague, away from the Roman people and Caesar, our foremost citizen, and onto the Persians and Britons.

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More Poems by Horace

  1. Love a slave-girl? Oh, Xanthias!
  2. Nereus prophesies the Trojan War
  3. Horace’s first Ode
  4. Horace the peacemaker
  5. Gyges’s constancy
  6. Some advice for Dellius
  7. Horace the swan
  8. Horace’s fame and Apollo’s gift
  9. Horace’s prayer to a wine-jar
  10. Late stirrings
  11. Stormy seas
  12. A call for a moral renaissance
  13. Fortuna
  14. The country is best
  15. Augustus at the pinnacle
  16. Valgius and Mystes
  17. Rome: disaster and salvation
  18. An invitation to Maecenas
  19. Europa’s lament
  20. Unrequited love
  21. Horace returns to lyric poetry
  22. Horace, the wolf and the upright life
  23. Wealth should be used, not hoarded
  24. Pollio’s histories of civil war
  25. A prayer to Faunus
  26. Pyrrha
  27. The final ode
  28. Jupiter’s authority, and Caesar’s
  29. Luxury versus the simple life
  30. Don’t trust Barine
  31. Horace rests from his labours
  32. Lalage is too young
  33. Horace’s Cleopatra ode
  34. Lovely mother, lovelier daughter
  35. Soracte
  36. What Roman youth should be
  37. Curse you, tree!
  38. Celebrating Neptune’s feast day
  39. The victories of Drusus and Tiberius
  40. Last love
  41. A plea for burial
  42. Licymnia
  43. Be your age, Chloris!
  44. Postumus, the years slip by
  45. The pleasures and dangers of wine
  46. An invocation to the lyre
  47. A garland from the Muses
  48. Romulus in Heaven
  49. Locked out
  50. Ligurinus’s unwelcome change
  51. Lydia’s tragedy
  52. Love lost and found
  53. A Farewell to arms
  54. Horace’s Chloe
  55. Here’s to Murena!
  56. Horace’s wine
  57. The Golden Mean
  58. A prayer to Mercury
  59. Glycera
  60. Gathering rosebuds: carpe diem
  61. New temples, new morals
  62. Leave the cares of state, Maecenas
  63. Augustus, master of the world
  64. Don’t worry, be happy
  65. Neobule
  66. Caesar’s safe return
  67. Poetry, the giver of immortality
  68. Roman values for the new age
  69. A dedication to Diana
  70. A change of mind
  71. Poscimur
  72. The consolations of wine
  73. A day off for rain
  74. Pindar and Augustus
  75. Housman and Horace
  76. Courage and decadence: the Regulus ode
  77. O Fons Bandusiae
  78. The tug-of-war for Nearchus
  79. Relief from care
  80. Horace invites – Virgil?
  81. A prayer to Venus
  82. Give me comfort, not riches
  83. Horace’s limitations
  84. Jealousy
  85. Awe for the Gods
  86. Horace’s monument
  87. The lust for money versus the simple life
  88. Horace welcomes his army comrade
  89. A divine inspiration
  90. Diffugere nives
  91. Horace’s reverence to Bacchus
  92. A tactful compliment
  93. The fleeting years slip by
  94. A Prayer to the poetry-God
  95. An oath to Maecenas
  96. Augustus returns
  97. Tibur or Tarentum: a poet’s dilemma?
  98. A country sacrifice
  99. Mourning for a good man
  100. Romulus becomes a God
  101. Numida’s back
  102. Lyce grows old
  103. Iccius goes soldiering
  104. Horace, accepted bard of Rome
  105. Carpe diem, Sestius
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