Horace combines enthusiastic praise for the Emperor Augustus with a tribute to the power of poetic inspiration, framed as an invocation of a god for whom he feels particular affinity, and whom he has already celebrated in Ode 2.19. Bacchus/Dionysus is a god associated with ecstatic states of the kind that Horace claims for himself in the poem, and that the Maenad to whom he compares himself has been experiencing. Bacchus was the God of wine, but the safer interpretation here is that the influence that is disturbing Horace’s equilibrium is inspiration, rather than intoxication. The strength of the emotion that he expresses is persuasive, and adds conviction and force to the celebration of the quasi-divine attributes of the Emperor Augustus that sit at the heart of the poem.
Metre: Asclepiad.
See the illustrated blog post here.
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