Odes Book 2. 19

Horace’s reverence to Bacchus

by Horace

In this hymn to Bacchus, a God he often addresses, Horace achieves a powerful impression of intoxication which feels as though it owes something to spirituality and devotion, as well as to wine. It is packed with mythological reference, from Bacchus’s playful tricks with devotees’ hair to the desperate battle of the Gods to save Olympus from the assault of the Titans. The Thyiadae are Bacchantes, the God’s female devotees. The wife honoured by her crown becoming a constellation was Ariadne, who saved Theseus from the Cretan labyrinth. In the last stanza not even Cerberus, the watchdog of Hades, can resist this awe-inspiring but loveable God – see William Blake’s painting of Cerberus in the illustrated blog post here.

Metre: Alcaic

To listen, press play:

To scroll the original and English translation of the poem at the same time - tap inside one box to select it and then scroll.

Bacchum in remotis carmina rupibus
vidi docentem, credite posteri,
Nymphasque discentis et auris
capripedum Satyrorum acutas.

euhoe, recenti mens trepidat metu,
plenoque Bacchi pectore turbidum
laetatur. euhoe, parce Liber,
parce gravi metuende thyrso.

fas pervicacis est mihi Thyiadas
vinique fontem lactis et uberes
cantare rivos atque truncis
lapsa cavis iterare mella;

fas et beatae coniugis additum
stellis honorem tectaque Penthei
disiecta non leni ruina
Thracis et exitium Lycurgi.

tu flectis amnis, tu mare barbarum,
tu separatis uvidus in iugis
nodo coerces viperino
Bistonidum sine fraude crinis.

tu, cum parentis regna per arduum
cohors gigantum scanderet inpia,
Rhoetum retorsisti leonis
unguibus horribilique mala;

quamquam choreis aptior et iocis
ludoque dictus non sat idoneus
pugnae ferebaris; sed idem
pacis eras mediusque belli.

te vidit insons Cerberus aureo
cornu decorum leniter atterens
caudam et recedentis trilingui
ore pedes tetigitque crura.

I saw Bacchus on the distant crags teaching songs and the Nymphs who learned them, and the pointed ears of the goat-footed Satyrs: believe it, you who are yet to come!

Euoi, my mind reels with the freshness of my fear, and in my breast, possessed by Bacchus, confused rejoicing reigns. Euoi, spare me, Bacchus, spare me from the terrible weight of your staff!

It is right that I should sing of the unwearying Bacchantes, the fountain of wine and the rich streams of milk, and tell of the honey that drips from the hollows of trees;

right and holy to tell of the honour to your wife added to the constellations, of Pentheus’s house destroyed by the most crushing ruin, and of the doom of Thracian Lycurgus.

You change the course of rivers and the savage sea; flushed with wine, on remote mountain ridges you dress the hair of the Thracian women with a harmless knot of serpents.

You, when the sacrilegious gang of Titans climbed the steeps to your Father’s realm, wrenched back Rhoetus with your lion-talons and fearful maw;

supposed to be better suited to dance and merriment, and thought less well equipped for battle, yet you were the same in the midst of peace and war.

Cerberus looked on you and gave no harm, gorgeous with your horn of gold, and, gently wrapping you with his tail as you passed, licked your feet and legs with all three tongues.

`

More Poems by Horace

  1. Gyges’s constancy
  2. Mourning for a good man
  3. An invitation to Maecenas
  4. Give me comfort, not riches
  5. What Roman youth should be
  6. Carpe diem, Sestius
  7. A Farewell to arms
  8. Postumus, the years slip by
  9. Nereus prophesies the Trojan War
  10. A prayer to Mercury
  11. Horace the peacemaker
  12. Stormy seas
  13. Don’t worry, be happy
  14. Neobule
  15. Horace rests from his labours
  16. Love a slave-girl? Oh, Xanthias!
  17. Horace’s prayer to a wine-jar
  18. Fortuna
  19. Housman and Horace
  20. Wealth should be used, not hoarded
  21. O Fons Bandusiae
  22. The tug-of-war for Nearchus
  23. Horace’s first Ode
  24. Horace, the wolf and the upright life
  25. The pleasures and dangers of wine
  26. Romulus in Heaven
  27. Diana and Apollo: a hymn
  28. Diffugere nives
  29. Rome: disaster and salvation
  30. Gathering rosebuds: carpe diem
  31. A garland from the Muses
  32. Jupiter’s authority, and Caesar’s
  33. Relief from care
  34. Poscimur
  35. Horace’s Cleopatra ode
  36. Curse you, tree!
  37. Jealousy
  38. Augustus, master of the world
  39. Courage and decadence: the Regulus ode
  40. Horace returns to lyric poetry
  41. A prayer to Venus
  42. Lydia’s tragedy
  43. Horace’s Chloe
  44. Horace welcomes his army comrade
  45. Soracte
  46. Valgius and Mystes
  47. Glycera
  48. Numida’s back
  49. Don’t trust Barine
  50. Last love
  51. Lovely mother, lovelier daughter
  52. Luxury versus the simple life
  53. Unrequited love
  54. A Prayer to the poetry-God
  55. Iccius goes soldiering
  56. The final ode
  57. Roman values for the new age
  58. New temples, new morals
  59. Romulus becomes a God
  60. Celebrating Neptune’s feast day
  61. A plea for burial
  62. Love lost and found
  63. Horace’s monument
  64. An oath to Maecenas
  65. The consolations of wine
  66. Horace the swan
  67. Pyrrha
  68. Lalage is too young
  69. Here’s to Murena!
  70. Licymnia
  71. Tibur or Tarentum: a poet’s dilemma?
  72. The country is best
  73. Locked out
  74. Pindar and Augustus
  75. Some advice for Dellius
  76. Horace’s limitations
  77. Awe for the Gods
  78. The Golden Mean
  79. Horace’s wine
  80. The fleeting years slip by
  81. A change of mind
  82. Pollio’s histories of civil war
Privacy Overview

This website uses cookies so that we can provide you with the best user experience possible. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful.