Ode 3.22

A dedication to Diana

by Horace

This poem is in the form of a dedicatory epigram addressed to Diana which might or might have been placed on a real pine tree. It might have been associated with an incident in Horace’s life, or have been a purely literary tribute or exercise – there was a Homeric hymn to Artemis as well as hymns by the Alexandrian poet Callimachus and, more recently, by Catullus. Diana was three-formed as the virgin goddess of the hunt, of the moon and, in more sinister guise, as Hecate with associations with crossroads and the underworld. “Puella” is a word used by Horace in contexts implying young married women.

Metre: Sapphics.

See the illustrated blog post here.

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Montium custos nemorumque, virgo,
quae laborantis utero puellas
ter vocata audis adimisque leto,
diva triformis,

imminens villae tua pinus esto,
quam per exactos ego laetus annos
verris obliquum meditantis ictum
sanguine donem.

Virgin guardian of mountains and groves, you who hear women in labour and save them from death when they call three times on thee, three-formed Goddess, let this pine leaning over the villa be thine, on which, happily, with each completed year, I shall bestow the blood of a boar-pig, pondering its sidelong blow.

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More Poems by Horace

  1. Love lost and found
  2. Jealousy
  3. Horace welcomes his army comrade
  4. Lydia’s tragedy
  5. A day off for rain
  6. Here’s to Murena!
  7. A change of mind
  8. Horace the peacemaker
  9. Nereus prophesies the Trojan War
  10. Late stirrings
  11. Horace’s first Ode
  12. Courage and decadence: the Regulus ode
  13. The fleeting years slip by
  14. Romulus becomes a God
  15. Luxury versus the simple life
  16. Postumus, the years slip by
  17. The pleasures and dangers of wine
  18. Horace the swan
  19. Horace’s Cleopatra ode
  20. Roman values for the new age
  21. Rome: disaster and salvation
  22. Romulus in Heaven
  23. Pindar and Augustus
  24. Valgius and Mystes
  25. O Fons Bandusiae
  26. A country sacrifice
  27. A Prayer to the poetry-God
  28. Licymnia
  29. The country is best
  30. Love a slave-girl? Oh, Xanthias!
  31. The Golden Mean
  32. A prayer to Faunus
  33. Horace’s monument
  34. Neobule
  35. Give me comfort, not riches
  36. Horace returns to lyric poetry
  37. Horace’s limitations
  38. Unrequited love
  39. A divine inspiration
  40. A plea for burial
  41. Lovely mother, lovelier daughter
  42. The consolations of wine
  43. Awe for the Gods
  44. Horace rests from his labours
  45. Poscimur
  46. An invitation to Maecenas
  47. The final ode
  48. Gyges’s constancy
  49. Diana and Apollo: a hymn
  50. A Farewell to arms
  51. Locked out
  52. The lust for money versus the simple life
  53. Glycera
  54. Pyrrha
  55. A garland from the Muses
  56. Housman and Horace
  57. Mourning for a good man
  58. Don’t worry, be happy
  59. An oath to Maecenas
  60. Horace’s prayer to a wine-jar
  61. Lalage is too young
  62. Jupiter’s authority, and Caesar’s
  63. Pollio’s histories of civil war
  64. Relief from care
  65. Diffugere nives
  66. Tibur or Tarentum: a poet’s dilemma?
  67. Horace’s wine
  68. A prayer to Mercury
  69. Last love
  70. Numida’s back
  71. Horace, the wolf and the upright life
  72. Fortuna
  73. Carpe diem, Sestius
  74. Iccius goes soldiering
  75. An invocation to the lyre
  76. Don’t trust Barine
  77. The tug-of-war for Nearchus
  78. Horace’s Chloe
  79. Gathering rosebuds: carpe diem
  80. Curse you, tree!
  81. Some advice for Dellius
  82. A prayer to Venus
  83. New temples, new morals
  84. Horace’s reverence to Bacchus
  85. What Roman youth should be
  86. Stormy seas
  87. Soracte
  88. Celebrating Neptune’s feast day
  89. Caesar’s safe return
  90. Wealth should be used, not hoarded
  91. Be your age, Chloris!
  92. Augustus, master of the world
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