Horace signed off his first book of Odes with a final poem calling for a restorative drink in the shade: this last poem of his second book stakes a claim to literary immortality. That sounds grand, but does he have his tongue half in his cheek? There is something incongruous about his scaly legs as he transforms into a swan, and the Gauls and Spaniards that he imagines poring over his work, but the mood is hard to gauge with confidence over a gap of twenty centuries.
Metre: Alcaics.
See the illustrated blog post here.
To listen, press play: