Ode 2.1

Pollio’s histories of civil war

by Horace

Horace opens his second book of odes with an address to Gaius Asinius Pollio, a political and military heavyweight who held the consulship in 40 BCE and celebrated a triumph in 39 BCE for a successful campaign against a people called the Parthini as Proconsul of Macedonia. He is believed to have held no further military or civil office, but remained a major public figure. He was a patron of Virgil, who praises him in the Eclogues, had a high reputation as a tragic playwright in the Greek tradition, and was a pioneer in organising public recitations of his writings. When this ode was written, he was taking up a work on the history of the civil wars as a continuation of the Histories of the historian Sallust, who had died with them incomplete in 35 BCE. (Neither work survives, bar some fragments of Sallust.) The wars are a subject on which Horace was passionate: his work often expresses a horror for them too vivid not to be sincere, a feeling no doubt shared by many war-weary Romans of the time.

The reference to Africa relates to the battle of Thapsus, a civil-war victory of Julius Caesar in 46 BCE. The closing sentiment of the poem – that the subject under discussion is too exalted for Horace’s lyric pen to cope with – is one that recurs several times in the odes. Often, as here, it is disingenuous, as Horace has just precisely demonstrated that epic themes are well within his range. Simonides of Ceos wrote the epitaph for the 300 Spartans who died fighting the Persians at Thermopylae in 480 BCE: “Stranger, go tell the Spartans that we lie here obedient to their word.”

The metre is Alcaics.

See the illustrated blog post here.

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Motum ex Metello consule civicum
bellique causas et vitia et modos
ludumque Fortunae gravisque
principum amicitias et arma

nondum expiatis uncta cruoribus,
periculosae plenum opus aleae,
tractas et incedis per ignis
suppositos cineri doloso.

paulum severae musa tragoediae
desit theatris: mox ubi publicas
res ordinaris, grande munus
Cecropio repetes cothurno,

insigne maestis praesidium reis
et consulenti, Pollio, curiae,
cui laurus aeternos honores
Delmatico peperit triumpho.

iam nunc minaci murmure cornuum
perstringis auris, iam litui strepunt,
iam fulgor armorum fugacis
terret equos equitumque voltus.

audire magnos iam videor duces,
non indecoro pulvere sordidos
et cuncta terrarum subacta
praeter atrocem animum Catonis.

Iuno et deorum quisquis amicior
Afris inulta cesserat inpotens
tellure victorum nepotes
rettulit inferias Iugurthae.

quis non Latino sanguine pinguior
campus sepulcris inpia proelia
testatur auditumque Medis
Hesperiae sonitum ruinae?

qui gurges aut quae flumina lugubris
ignara belli? quod mare Dauniae
non decoloravere caedes?
quae caret ora cruore nostro?

sed ne relictis, Musa procax, iocis
Ceae retractes munera neniae,
mecum Dionaeo sub antro
quaere modos leviore plectro.

The civil upheaval from the year of Metellus’s consulship, the causes and vices of war  and how it unfolded, the play of Fortune, the alliance of the foremost Romans – so perilous for the city; war fought with weapons primed with still-unexpiated blood, and deeds which were fraught with chance and danger: these are your subject, and in adopting it you are walking through fires which still lie beneath the deceptive ash. Let your tragic Muse forsake the theatres for a short time only: in due course, when you have set the affairs of the state in order, you will resume your great work, achieved through the dramatic art of Attica, and once again be the foremost protector of anxious litigants in the court, and of the Senate, Pollio, as it solicits your advice, you for whom the laurel bore undying honours with your Triumph over the Dalmatians. Already, you grate on our ears with the menacing call of battle-horns, already trumpets are braying, already the flash of arms plants terror in horses as they fly and in the faces of their riders. Already I seem to hear the speeches of the generals, stained with the dust that brings them honour, and all the affairs of the world brought to subjection, save only the spirit of intransigent Cato. Juno, and other friendly Gods to Africa, who had been forced to leave the field with it unavenged, delivered the descendants of the victors back to Jugurtha as a sacrifice to his shade. What field of ours, made more fertile with Italian blood, does not bear witness with the tombs that it bears to the sacrilege of war, and the crash, audible even to the distant Persians, of the ruin of our western land? What streams, what rivers, have not learned from experience the misery of war? What sea has the gore of our countrymen not stained? What shore does not have Roman blood on it? But wait, my forward Muse, do not leave your playful songs to take up a task which belongs with Simonides and his dirges: come, and in Venus’s grotto seek out melodies with me on a gentler instrument.

`

More Poems by Horace

  1. Numida’s back
  2. Roman values for the new age
  3. Poscimur
  4. Horace’s prayer to a wine-jar
  5. Love a slave-girl? Oh, Xanthias!
  6. Tibur or Tarentum: a poet’s dilemma?
  7. Caesar’s safe return
  8. A call for a moral renaissance
  9. Don’t worry, be happy
  10. Curse you, tree!
  11. A change of mind
  12. Horace rests from his labours
  13. An invocation to the lyre
  14. Luxury versus the simple life
  15. Europa’s lament
  16. Augustus, master of the world
  17. Pyrrha
  18. Horace the swan
  19. Horace welcomes his army comrade
  20. A Prayer to the poetry-God
  21. A prayer to Mercury
  22. Housman and Horace
  23. Horace’s limitations
  24. Lovely mother, lovelier daughter
  25. O Fons Bandusiae
  26. New temples, new morals
  27. The final ode
  28. Lydia’s tragedy
  29. Horace’s monument
  30. A prayer to Faunus
  31. Soracte
  32. Mourning for a good man
  33. An oath to Maecenas
  34. A plea for burial
  35. Be your age, Chloris!
  36. Awe for the Gods
  37. The consolations of wine
  38. Leave the cares of state, Maecenas
  39. Diffugere nives
  40. The tug-of-war for Nearchus
  41. An invitation to Maecenas
  42. Horace’s Chloe
  43. Horace the peacemaker
  44. Iccius goes soldiering
  45. Locked out
  46. A country sacrifice
  47. A divine inspiration
  48. Jupiter’s authority, and Caesar’s
  49. Horace, the wolf and the upright life
  50. Celebrating Neptune’s feast day
  51. Postumus, the years slip by
  52. Gyges’s constancy
  53. The fleeting years slip by
  54. The Golden Mean
  55. Here’s to Murena!
  56. Valgius and Mystes
  57. Diana and Apollo: a hymn
  58. Give me comfort, not riches
  59. The lust for money versus the simple life
  60. A garland from the Muses
  61. Nereus prophesies the Trojan War
  62. Romulus becomes a God
  63. Some advice for Dellius
  64. Jealousy
  65. What Roman youth should be
  66. Romulus in Heaven
  67. Horace returns to lyric poetry
  68. Horace’s wine
  69. Glycera
  70. Don’t trust Barine
  71. Pindar and Augustus
  72. A dedication to Diana
  73. Horace’s reverence to Bacchus
  74. Love lost and found
  75. Horace’s Cleopatra ode
  76. A prayer to Venus
  77. Wealth should be used, not hoarded
  78. Licymnia
  79. The country is best
  80. Last love
  81. Horace’s first Ode
  82. Neobule
  83. Carpe diem, Sestius
  84. Unrequited love
  85. A day off for rain
  86. Relief from care
  87. Rome: disaster and salvation
  88. Courage and decadence: the Regulus ode
  89. Stormy seas
  90. Gathering rosebuds: carpe diem
  91. Lalage is too young
  92. The pleasures and dangers of wine
  93. A Farewell to arms
  94. Late stirrings
  95. Fortuna
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