Ode 2.1

Pollio’s histories of civil war

by Horace

Horace opens his second book of odes with an address to Gaius Asinius Pollio, a political and military heavyweight who held the consulship in 40 BCE and celebrated a triumph in 39 BCE for a successful campaign against a people called the Parthini as Proconsul of Macedonia. He is believed to have held no further military or civil office, but remained a major public figure. He was a patron of Virgil, who praises him in the Eclogues, had a high reputation as a tragic playwright in the Greek tradition, and was a pioneer in organising public recitations of his writings. When this ode was written, he was taking up a work on the history of the civil wars as a continuation of the Histories of the historian Sallust, who had died with them incomplete in 35 BCE. (Neither work survives, bar some fragments of Sallust.) The wars are a subject on which Horace was passionate: his work often expresses a horror for them too vivid not to be sincere, a feeling no doubt shared by many war-weary Romans of the time.

The reference to Africa relates to the battle of Thapsus, a civil-war victory of Julius Caesar in 46 BCE. The closing sentiment of the poem – that the subject under discussion is too exalted for Horace’s lyric pen to cope with – is one that recurs several times in the odes. Often, as here, it is disingenuous, as Horace has just precisely demonstrated that epic themes are well within his range. Simonides of Ceos wrote the epitaph for the 300 Spartans who died fighting the Persians at Thermopylae in 480 BCE: “Stranger, go tell the Spartans that we lie here obedient to their word.”

The metre is Alcaics.

See the illustrated blog post here.

To listen, press play:

To scroll the original and English translation of the poem at the same time - tap inside one box to select it and then scroll.

Motum ex Metello consule civicum
bellique causas et vitia et modos
ludumque Fortunae gravisque
principum amicitias et arma

nondum expiatis uncta cruoribus,
periculosae plenum opus aleae,
tractas et incedis per ignis
suppositos cineri doloso.

paulum severae musa tragoediae
desit theatris: mox ubi publicas
res ordinaris, grande munus
Cecropio repetes cothurno,

insigne maestis praesidium reis
et consulenti, Pollio, curiae,
cui laurus aeternos honores
Delmatico peperit triumpho.

iam nunc minaci murmure cornuum
perstringis auris, iam litui strepunt,
iam fulgor armorum fugacis
terret equos equitumque voltus.

audire magnos iam videor duces,
non indecoro pulvere sordidos
et cuncta terrarum subacta
praeter atrocem animum Catonis.

Iuno et deorum quisquis amicior
Afris inulta cesserat inpotens
tellure victorum nepotes
rettulit inferias Iugurthae.

quis non Latino sanguine pinguior
campus sepulcris inpia proelia
testatur auditumque Medis
Hesperiae sonitum ruinae?

qui gurges aut quae flumina lugubris
ignara belli? quod mare Dauniae
non decoloravere caedes?
quae caret ora cruore nostro?

sed ne relictis, Musa procax, iocis
Ceae retractes munera neniae,
mecum Dionaeo sub antro
quaere modos leviore plectro.

The civil upheaval from the year of Metellus’s consulship, the causes and vices of war  and how it unfolded, the play of Fortune, the alliance of the foremost Romans – so perilous for the city; war fought with weapons primed with still-unexpiated blood, and deeds which were fraught with chance and danger: these are your subject, and in adopting it you are walking through fires which still lie beneath the deceptive ash. Let your tragic Muse forsake the theatres for a short time only: in due course, when you have set the affairs of the state in order, you will resume your great work, achieved through the dramatic art of Attica, and once again be the foremost protector of anxious litigants in the court, and of the Senate, Pollio, as it solicits your advice, you for whom the laurel bore undying honours with your Triumph over the Dalmatians. Already, you grate on our ears with the menacing call of battle-horns, already trumpets are braying, already the flash of arms plants terror in horses as they fly and in the faces of their riders. Already I seem to hear the speeches of the generals, stained with the dust that brings them honour, and all the affairs of the world brought to subjection, save only the spirit of intransigent Cato. Juno, and other friendly Gods to Africa, who had been forced to leave the field with it unavenged, delivered the descendants of the victors back to Jugurtha as a sacrifice to his shade. What field of ours, made more fertile with Italian blood, does not bear witness with the tombs that it bears to the sacrilege of war, and the crash, audible even to the distant Persians, of the ruin of our western land? What streams, what rivers, have not learned from experience the misery of war? What sea has the gore of our countrymen not stained? What shore does not have Roman blood on it? But wait, my forward Muse, do not leave your playful songs to take up a task which belongs with Simonides and his dirges: come, and in Venus’s grotto seek out melodies with me on a gentler instrument.

`

More Poems by Horace

  1. Don’t worry, be happy
  2. Roman values for the new age
  3. A country sacrifice
  4. Horace’s Chloe
  5. Courage and decadence: the Regulus ode
  6. Horace, the wolf and the upright life
  7. Caesar’s safe return
  8. A dedication to Diana
  9. Fortuna
  10. A tactful compliment
  11. The Golden Mean
  12. Horace’s reverence to Bacchus
  13. Horace’s limitations
  14. Carpe diem, Sestius
  15. Horace’s wine
  16. Lalage is too young
  17. What Roman youth should be
  18. Rome: disaster and salvation
  19. Neobule
  20. Diana and Apollo: a hymn
  21. Jealousy
  22. Leave the cares of state, Maecenas
  23. Europa’s lament
  24. The fleeting years slip by
  25. The tug-of-war for Nearchus
  26. Gyges’s constancy
  27. A garland from the Muses
  28. Lyce grows old
  29. Numida’s back
  30. Horace’s first Ode
  31. Unrequited love
  32. A call for a moral renaissance
  33. Postumus, the years slip by
  34. Poscimur
  35. An invocation to the lyre
  36. Lovely mother, lovelier daughter
  37. Love lost and found
  38. A change of mind
  39. The pleasures and dangers of wine
  40. A prayer to Faunus
  41. Give me comfort, not riches
  42. Curse you, tree!
  43. Be your age, Chloris!
  44. Tibur or Tarentum: a poet’s dilemma?
  45. Horace, accepted bard of Rome
  46. Horace’s fame and Apollo’s gift
  47. Jupiter’s authority, and Caesar’s
  48. The victories of Drusus and Tiberius
  49. Horace the swan
  50. Horace’s Cleopatra ode
  51. An invitation to Maecenas
  52. Some advice for Dellius
  53. A plea for burial
  54. A divine inspiration
  55. Here’s to Murena!
  56. Locked out
  57. Last love
  58. Housman and Horace
  59. Late stirrings
  60. Pindar and Augustus
  61. Soracte
  62. Romulus becomes a God
  63. A prayer to Mercury
  64. Glycera
  65. Romulus in Heaven
  66. Nereus prophesies the Trojan War
  67. Horace’s prayer to a wine-jar
  68. A Farewell to arms
  69. A day off for rain
  70. Diffugere nives
  71. Luxury versus the simple life
  72. Augustus, master of the world
  73. Horace the peacemaker
  74. Wealth should be used, not hoarded
  75. Stormy seas
  76. Valgius and Mystes
  77. Awe for the Gods
  78. Mourning for a good man
  79. Celebrating Neptune’s feast day
  80. New temples, new morals
  81. Pyrrha
  82. The final ode
  83. Horace’s monument
  84. The consolations of wine
  85. Love a slave-girl? Oh, Xanthias!
  86. An oath to Maecenas
  87. Don’t trust Barine
  88. A prayer to Venus
  89. The country is best
  90. Horace returns to lyric poetry
  91. Iccius goes soldiering
  92. Horace welcomes his army comrade
  93. O Fons Bandusiae
  94. Lydia’s tragedy
  95. Horace rests from his labours
  96. Augustus returns
  97. Licymnia
  98. Poetry, the giver of immortality
  99. The lust for money versus the simple life
  100. A Prayer to the poetry-God
  101. Gathering rosebuds: carpe diem
  102. Relief from care

Privacy Overview

This website uses cookies so that we can provide you with the best user experience possible. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful.