Odes 2.8

Don’t trust Barine

by Horace

This poem, in lively Sapphic metre, describes the stereotypical femme fatale, a woman who is able because of the strength of her attraction to get away with endless lies and broken promises to her men. So blatant is she that, not only Cupid and Venus, who have a special interest, but even the guileless nymphs have to laugh. Whether the poem and Barine, with her unusual, vaguely Greek name, are a pure literary exercise on a stock theme (commentators see echoes of the Greek poets Alcman and Callimachus), or whether Horace’s audience might have been intended to recognise a genuine contemporary individual or type under Barine’s disguise, is anybody’s guess. In the interests of balance we should say that lying and faithless men are also widely available, in ancient poetry and myth as in life.

Metre: Sapphic

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Ulla si iuris tibi peierati
poena, Barine, nocuisset umquam,
dente si nigro fieres vel uno
turpior ungui,

crederem; sed tu simul obligasti
perfidum votis caput, enitescis
pulchrior multo iuvenumque prodis
publica cura.

expedit matris cineres opertos
fallere et toto taciturna noctis
signa cum caelo gelidaque divos
morte carentis.

ridet hoc, inquam, Venus ipsa, rident
simplices Nymphae, ferus et Cupido
semper ardentis acuens sagittas
cote cruenta.

adde quod pubes tibi crescit omnis,
servitus crescit nova nec priores
impiae tectum dominae relinquunt
saepe minati.

te suis matres metuunt iuvencis,
te senes parci miseraeque nuper
virgines nuptae, tua ne retardet
aura maritos.

If any penalty for your perjury had ever harmed you, Barine, If you had ever been the uglier for it by one blackened tooth or nail,

I’d believe you, but no sooner have you staked your faithless life on your vows, than your gorgeousness shines out much more brilliantly even than before, stepping out in public, the young men’s idol.

You actually do well out of perjuring yourself on your mother’s buried ashes, on night’s silent standards and all the heavens with them, and on the Gods, who never know chill death!

Venus herself, I tell you, laughs at it, even the guileless nymphs laugh at it, and savage Cupid too, always sharpening his burning arrows on a bloody stone.

Add, that it’s you the young men are growing up for, a new set of slaves for you, and the old ones aren’t leaving their forsworn mistress’s roof either, though they have often threatened to.

It’s you that the mothers fear for their growing sons, you that the mean old men fear, and brides, though only just now married, fear that the waft of your appeal might make their husbands late.

`

More Poems by Horace

  1. Pollio’s histories of civil war
  2. Diana and Apollo: a hymn
  3. Celebrating Neptune’s feast day
  4. A garland from the Muses
  5. A prayer to Mercury
  6. Horace’s monument
  7. Soracte
  8. Postumus, the years slip by
  9. Luxury versus the simple life
  10. Last love
  11. Carpe diem, Sestius
  12. Some advice for Dellius
  13. Lovely mother, lovelier daughter
  14. A change of mind
  15. Unrequited love
  16. A Prayer to the poetry-God
  17. Licymnia
  18. What Roman youth should be
  19. Horace’s Chloe
  20. Horace’s prayer to a wine-jar
  21. Gathering rosebuds: carpe diem
  22. Curse you, tree!
  23. Horace, the wolf and the upright life
  24. Diffugere nives
  25. Mourning for a good man
  26. A Farewell to arms
  27. Horace’s limitations
  28. Relief from care
  29. Horace’s Cleopatra ode
  30. Augustus, master of the world
  31. Wealth should be used, not hoarded
  32. O Fons Bandusiae
  33. Horace’s first Ode
  34. Love a slave-girl? Oh, Xanthias!
  35. The pleasures and dangers of wine
  36. Stormy seas
  37. Horace welcomes his army comrade
  38. Jealousy
  39. Rome: disaster and salvation
  40. Fortuna
  41. Poscimur
  42. The fleeting years slip by
  43. Horace rests from his labours
  44. Pyrrha
  45. Horace the swan
  46. Horace’s reverence to Bacchus
  47. Iccius goes soldiering
  48. Lydia’s tragedy
  49. Housman and Horace
  50. Horace the peacemaker
  51. The final ode
  52. A prayer to Venus
  53. The tug-of-war for Nearchus
  54. Roman values for the new age
  55. The country is best
  56. Tibur or Tarentum: a poet’s dilemma?
  57. An oath to Maecenas
  58. Numida’s back
  59. Nereus prophesies the Trojan War
  60. An invitation to Maecenas
  61. Courage and decadence: the Regulus ode
  62. Lalage is too young
  63. Horace returns to lyric poetry
  64. Pindar and Augustus
  65. The consolations of wine
  66. Glycera
  67. The Golden Mean
  68. Don’t worry, be happy
  69. A plea for burial
  70. Horace’s wine
  71. Awe for the Gods
  72. Here’s to Murena!
  73. Give me comfort, not riches
  74. Valgius and Mystes