Odes 2.8

Don’t trust Barine

by Horace

This poem, in lively Sapphic metre, describes the stereotypical femme fatale, a woman who is able because of the strength of her attraction to get away with endless lies and broken promises to her men. So blatant is she that, not only Cupid and Venus, who have a special interest, but even the guileless nymphs have to laugh. Whether the poem and Barine, with her unusual, vaguely Greek name, are a pure literary exercise on a stock theme (commentators see echoes of the Greek poets Alcman and Callimachus), or whether Horace’s audience might have been intended to recognise a genuine contemporary individual or type under Barine’s disguise, is anybody’s guess. In the interests of balance we should say that lying and faithless men are also widely available, in ancient poetry and myth as in life.

Metre: Sapphic

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Ulla si iuris tibi peierati
poena, Barine, nocuisset umquam,
dente si nigro fieres vel uno
turpior ungui,

crederem; sed tu simul obligasti
perfidum votis caput, enitescis
pulchrior multo iuvenumque prodis
publica cura.

expedit matris cineres opertos
fallere et toto taciturna noctis
signa cum caelo gelidaque divos
morte carentis.

ridet hoc, inquam, Venus ipsa, rident
simplices Nymphae, ferus et Cupido
semper ardentis acuens sagittas
cote cruenta.

adde quod pubes tibi crescit omnis,
servitus crescit nova nec priores
impiae tectum dominae relinquunt
saepe minati.

te suis matres metuunt iuvencis,
te senes parci miseraeque nuper
virgines nuptae, tua ne retardet
aura maritos.

If any penalty for your perjury had ever harmed you, Barine, If you had ever been the uglier for it by one blackened tooth or nail,

I’d believe you, but no sooner have you staked your faithless life on your vows, than your gorgeousness shines out much more brilliantly even than before, stepping out in public, the young men’s idol.

You actually do well out of perjuring yourself on your mother’s buried ashes, on night’s silent standards and all the heavens with them, and on the Gods, who never know chill death!

Venus herself, I tell you, laughs at it, even the guileless nymphs laugh at it, and savage Cupid too, always sharpening his burning arrows on a bloody stone.

Add, that it’s you the young men are growing up for, a new set of slaves for you, and the old ones aren’t leaving their forsworn mistress’s roof either, though they have often threatened to.

It’s you that the mothers fear for their growing sons, you that the mean old men fear, and brides, though only just now married, fear that the waft of your appeal might make their husbands late.

`

More Poems by Horace

  1. A plea for burial
  2. Stormy seas
  3. Give me comfort, not riches
  4. A Prayer to the poetry-God
  5. Diana and Apollo: a hymn
  6. Love lost and found
  7. A Farewell to arms
  8. Jealousy
  9. Horace’s Chloe
  10. Love a slave-girl? Oh, Xanthias!
  11. The consolations of wine
  12. Awe for the Gods
  13. Postumus, the years slip by
  14. The tug-of-war for Nearchus
  15. Last love
  16. Lovely mother, lovelier daughter
  17. Roman values for the new age
  18. Gyges’s constancy
  19. Glycera
  20. Gathering rosebuds: carpe diem
  21. Pyrrha
  22. Horace returns to lyric poetry
  23. A prayer to Venus
  24. The final ode
  25. Licymnia
  26. Unrequited love
  27. Wealth should be used, not hoarded
  28. A garland from the Muses
  29. Horace rests from his labours
  30. Some advice for Dellius
  31. Celebrating Neptune’s feast day
  32. Horace’s monument
  33. Horace’s prayer to a wine-jar
  34. Romulus becomes a God
  35. Horace’s first Ode
  36. The pleasures and dangers of wine
  37. Curse you, tree!
  38. An oath to Maecenas
  39. An invitation to Maecenas
  40. Jupiter’s authority, and Caesar’s
  41. Carpe diem, Sestius
  42. Here’s to Murena!
  43. Diffugere nives
  44. Horace’s limitations
  45. Fortuna
  46. A prayer to Mercury
  47. Soracte
  48. Neobule
  49. Housman and Horace
  50. O Fons Bandusiae
  51. Horace’s Cleopatra ode
  52. Lalage is too young
  53. Valgius and Mystes
  54. Poscimur
  55. Luxury versus the simple life
  56. Horace, the wolf and the upright life
  57. Don’t worry, be happy
  58. Tibur or Tarentum: a poet’s dilemma?
  59. What Roman youth should be
  60. Horace’s wine
  61. Courage and decadence: the Regulus ode
  62. Romulus in Heaven
  63. New temples, new morals
  64. Horace the swan
  65. Pindar and Augustus
  66. Augustus, master of the world
  67. Relief from care
  68. The fleeting years slip by
  69. Mourning for a good man
  70. Pollio’s histories of civil war
  71. Nereus prophesies the Trojan War
  72. Iccius goes soldiering
  73. Lydia’s tragedy
  74. The Golden Mean
  75. Horace’s reverence to Bacchus
  76. Rome: disaster and salvation
  77. Locked out
  78. Horace the peacemaker
  79. A change of mind
  80. Horace welcomes his army comrade
  81. The country is best
  82. Numida’s back
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