Odes 2.8

Don’t trust Barine

by Horace

This poem, in lively Sapphic metre, describes the stereotypical femme fatale, a woman who is able because of the strength of her attraction to get away with endless lies and broken promises to her men. So blatant is she that, not only Cupid and Venus, who have a special interest, but even the guileless nymphs have to laugh. Whether the poem and Barine, with her unusual, vaguely Greek name, are a pure literary exercise on a stock theme (commentators see echoes of the Greek poets Alcman and Callimachus), or whether Horace’s audience might have been intended to recognise a genuine contemporary individual or type under Barine’s disguise, is anybody’s guess. In the interests of balance we should say that lying and faithless men are also widely available, in ancient poetry and myth as in life.

Metre: Sapphic

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Ulla si iuris tibi peierati
poena, Barine, nocuisset umquam,
dente si nigro fieres vel uno
turpior ungui,

crederem; sed tu simul obligasti
perfidum votis caput, enitescis
pulchrior multo iuvenumque prodis
publica cura.

expedit matris cineres opertos
fallere et toto taciturna noctis
signa cum caelo gelidaque divos
morte carentis.

ridet hoc, inquam, Venus ipsa, rident
simplices Nymphae, ferus et Cupido
semper ardentis acuens sagittas
cote cruenta.

adde quod pubes tibi crescit omnis,
servitus crescit nova nec priores
impiae tectum dominae relinquunt
saepe minati.

te suis matres metuunt iuvencis,
te senes parci miseraeque nuper
virgines nuptae, tua ne retardet
aura maritos.

If any penalty for your perjury had ever harmed you, Barine, If you had ever been the uglier for it by one blackened tooth or nail,

I’d believe you, but no sooner have you staked your faithless life on your vows, than your gorgeousness shines out much more brilliantly even than before, stepping out in public, the young men’s idol.

You actually do well out of perjuring yourself on your mother’s buried ashes, on night’s silent standards and all the heavens with them, and on the Gods, who never know chill death!

Venus herself, I tell you, laughs at it, even the guileless nymphs laugh at it, and savage Cupid too, always sharpening his burning arrows on a bloody stone.

Add, that it’s you the young men are growing up for, a new set of slaves for you, and the old ones aren’t leaving their forsworn mistress’s roof either, though they have often threatened to.

It’s you that the mothers fear for their growing sons, you that the mean old men fear, and brides, though only just now married, fear that the waft of your appeal might make their husbands late.

`

More Poems by Horace

  1. A Farewell to arms
  2. A prayer to Venus
  3. Pollio’s histories of civil war
  4. Fortuna
  5. Augustus, master of the world
  6. Jupiter’s authority, and Caesar’s
  7. Stormy seas
  8. Love a slave-girl? Oh, Xanthias!
  9. Valgius and Mystes
  10. Be your age, Chloris!
  11. Horace’s prayer to a wine-jar
  12. Romulus becomes a God
  13. The consolations of wine
  14. A change of mind
  15. A garland from the Muses
  16. Lalage is too young
  17. Give me comfort, not riches
  18. A prayer to Faunus
  19. Rome: disaster and salvation
  20. Glycera
  21. What Roman youth should be
  22. Pindar and Augustus
  23. Luxury versus the simple life
  24. Diana and Apollo: a hymn
  25. The fleeting years slip by
  26. An invocation to the lyre
  27. A plea for burial
  28. Diffugere nives
  29. Nereus prophesies the Trojan War
  30. Relief from care
  31. Late stirrings
  32. Celebrating Neptune’s feast day
  33. Awe for the Gods
  34. Horace’s monument
  35. The Golden Mean
  36. Licymnia
  37. The pleasures and dangers of wine
  38. Love lost and found
  39. Some advice for Dellius
  40. Horace, the wolf and the upright life
  41. Tibur or Tarentum: a poet’s dilemma?
  42. Unrequited love
  43. The country is best
  44. Pyrrha
  45. Numida’s back
  46. Horace welcomes his army comrade
  47. Locked out
  48. Gyges’s constancy
  49. Postumus, the years slip by
  50. Horace returns to lyric poetry
  51. Here’s to Murena!
  52. A prayer to Mercury
  53. Jealousy
  54. Courage and decadence: the Regulus ode
  55. New temples, new morals
  56. A day off for rain
  57. Don’t worry, be happy
  58. Lydia’s tragedy
  59. Gathering rosebuds: carpe diem
  60. Iccius goes soldiering
  61. A country sacrifice
  62. Horace rests from his labours
  63. Caesar’s safe return
  64. The final ode
  65. An invitation to Maecenas
  66. O Fons Bandusiae
  67. Lovely mother, lovelier daughter
  68. Wealth should be used, not hoarded
  69. Horace’s Cleopatra ode
  70. Housman and Horace
  71. An oath to Maecenas
  72. The lust for money versus the simple life
  73. Neobule
  74. A Prayer to the poetry-God
  75. Curse you, tree!
  76. The tug-of-war for Nearchus
  77. A call for a moral renaissance
  78. A divine inspiration
  79. Romulus in Heaven
  80. Horace’s reverence to Bacchus
  81. Horace’s wine
  82. Soracte
  83. Horace the swan
  84. Poscimur
  85. Mourning for a good man
  86. Carpe diem, Sestius
  87. Last love
  88. Horace’s first Ode
  89. Roman values for the new age
  90. Horace’s limitations
  91. A dedication to Diana
  92. Horace the peacemaker
  93. Horace’s Chloe
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