Odes 2.8

Don’t trust Barine

by Horace

This poem, in lively Sapphic metre, describes the stereotypical femme fatale, a woman who is able because of the strength of her attraction to get away with endless lies and broken promises to her men. So blatant is she that, not only Cupid and Venus, who have a special interest, but even the guileless nymphs have to laugh. Whether the poem and Barine, with her unusual, vaguely Greek name, are a pure literary exercise on a stock theme (commentators see echoes of the Greek poets Alcman and Callimachus), or whether Horace’s audience might have been intended to recognise a genuine contemporary individual or type under Barine’s disguise, is anybody’s guess. In the interests of balance we should say that lying and faithless men are also widely available, in ancient poetry and myth as in life.

Metre: Sapphic.

See the illustrated blog post here.

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Ulla si iuris tibi peierati
poena, Barine, nocuisset umquam,
dente si nigro fieres vel uno
turpior ungui,

crederem; sed tu simul obligasti
perfidum votis caput, enitescis
pulchrior multo iuvenumque prodis
publica cura.

expedit matris cineres opertos
fallere et toto taciturna noctis
signa cum caelo gelidaque divos
morte carentis.

ridet hoc, inquam, Venus ipsa, rident
simplices Nymphae, ferus et Cupido
semper ardentis acuens sagittas
cote cruenta.

adde quod pubes tibi crescit omnis,
servitus crescit nova nec priores
impiae tectum dominae relinquunt
saepe minati.

te suis matres metuunt iuvencis,
te senes parci miseraeque nuper
virgines nuptae, tua ne retardet
aura maritos.

If any penalty for your perjury had ever harmed you, Barine, If you had ever been the uglier for it by one blackened tooth or nail,

I’d believe you, but no sooner have you staked your faithless life on your vows, than your gorgeousness shines out much more brilliantly even than before, stepping out in public, the young men’s idol.

You actually do well out of perjuring yourself on your mother’s buried ashes, on night’s silent standards and all the heavens with them, and on the Gods, who never know chill death!

Venus herself, I tell you, laughs at it, even the guileless nymphs laugh at it, and savage Cupid too, always sharpening his burning arrows on a bloody stone.

Add, that it’s you the young men are growing up for, a new set of slaves for you, and the old ones aren’t leaving their forsworn mistress’s roof either, though they have often threatened to.

It’s you that the mothers fear for their growing sons, you that the mean old men fear, and brides, though only just now married, fear that the waft of your appeal might make their husbands late.

`

More Poems by Horace

  1. Horace, accepted bard of Rome
  2. A day off for rain
  3. Celebrating Neptune’s feast day
  4. Lalage is too young
  5. Poetry, the giver of immortality
  6. Horace’s first Ode
  7. Soracte
  8. A Prayer to the poetry-God
  9. A divine inspiration
  10. Pindar and Augustus
  11. A garland from the Muses
  12. Stormy seas
  13. Lydia’s tragedy
  14. Diana and Apollo: a hymn
  15. Lovely mother, lovelier daughter
  16. Awe for the Gods
  17. Augustus, master of the world
  18. Pollio’s histories of civil war
  19. Valgius and Mystes
  20. Leave the cares of state, Maecenas
  21. Horace’s monument
  22. Diffugere nives
  23. Caesar’s safe return
  24. A tactful compliment
  25. Lyce grows old
  26. Ligurinus’s unwelcome change
  27. The lust for money versus the simple life
  28. The victories of Drusus and Tiberius
  29. Late stirrings
  30. Horace rests from his labours
  31. The country is best
  32. Europa’s lament
  33. Gathering rosebuds: carpe diem
  34. Horace’s wine
  35. Postumus, the years slip by
  36. Wealth should be used, not hoarded
  37. A Farewell to arms
  38. Horace welcomes his army comrade
  39. Jealousy
  40. Courage and decadence: the Regulus ode
  41. Locked out
  42. A change of mind
  43. Neobule
  44. A plea for burial
  45. An invocation to the lyre
  46. A country sacrifice
  47. The consolations of wine
  48. Horace’s limitations
  49. Gyges’s constancy
  50. Luxury versus the simple life
  51. Horace’s reverence to Bacchus
  52. Horace’s fame and Apollo’s gift
  53. Here’s to Murena!
  54. A prayer to Venus
  55. A prayer to Faunus
  56. Horace’s prayer to a wine-jar
  57. Horace, the wolf and the upright life
  58. An invitation to Maecenas
  59. Be your age, Chloris!
  60. Pyrrha
  61. A call for a moral renaissance
  62. Roman values for the new age
  63. Last love
  64. Romulus becomes a God
  65. Horace’s Cleopatra ode
  66. New temples, new morals
  67. The Golden Mean
  68. Carpe diem, Sestius
  69. Jupiter’s authority, and Caesar’s
  70. Horace the swan
  71. What Roman youth should be
  72. Some advice for Dellius
  73. Poscimur
  74. Give me comfort, not riches
  75. Augustus returns
  76. Horace’s Chloe
  77. Licymnia
  78. Rome: disaster and salvation
  79. Glycera
  80. Horace invites – Virgil?
  81. O Fons Bandusiae
  82. The final ode
  83. Iccius goes soldiering
  84. Nereus prophesies the Trojan War
  85. Unrequited love
  86. Fortuna
  87. A dedication to Diana
  88. Don’t worry, be happy
  89. A prayer to Mercury
  90. Augustus at the pinnacle
  91. Mourning for a good man
  92. The tug-of-war for Nearchus
  93. Romulus in Heaven
  94. Love a slave-girl? Oh, Xanthias!
  95. Tibur or Tarentum: a poet’s dilemma?
  96. An oath to Maecenas
  97. Numida’s back
  98. Housman and Horace
  99. The pleasures and dangers of wine
  100. Relief from care
  101. Love lost and found
  102. Horace the peacemaker
  103. Curse you, tree!
  104. Horace returns to lyric poetry
  105. The fleeting years slip by
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