Odes 2.8

Don’t trust Barine

by Horace

This poem, in lively Sapphic metre, describes the stereotypical femme fatale, a woman who is able because of the strength of her attraction to get away with endless lies and broken promises to her men. So blatant is she that, not only Cupid and Venus, who have a special interest, but even the guileless nymphs have to laugh. Whether the poem and Barine, with her unusual, vaguely Greek name, are a pure literary exercise on a stock theme (commentators see echoes of the Greek poets Alcman and Callimachus), or whether Horace’s audience might have been intended to recognise a genuine contemporary individual or type under Barine’s disguise, is anybody’s guess. In the interests of balance we should say that lying and faithless men are also widely available, in ancient poetry and myth as in life.

Metre: Sapphic

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Ulla si iuris tibi peierati
poena, Barine, nocuisset umquam,
dente si nigro fieres vel uno
turpior ungui,

crederem; sed tu simul obligasti
perfidum votis caput, enitescis
pulchrior multo iuvenumque prodis
publica cura.

expedit matris cineres opertos
fallere et toto taciturna noctis
signa cum caelo gelidaque divos
morte carentis.

ridet hoc, inquam, Venus ipsa, rident
simplices Nymphae, ferus et Cupido
semper ardentis acuens sagittas
cote cruenta.

adde quod pubes tibi crescit omnis,
servitus crescit nova nec priores
impiae tectum dominae relinquunt
saepe minati.

te suis matres metuunt iuvencis,
te senes parci miseraeque nuper
virgines nuptae, tua ne retardet
aura maritos.

If any penalty for your perjury had ever harmed you, Barine, If you had ever been the uglier for it by one blackened tooth or nail,

I’d believe you, but no sooner have you staked your faithless life on your vows, than your gorgeousness shines out much more brilliantly even than before, stepping out in public, the young men’s idol.

You actually do well out of perjuring yourself on your mother’s buried ashes, on night’s silent standards and all the heavens with them, and on the Gods, who never know chill death!

Venus herself, I tell you, laughs at it, even the guileless nymphs laugh at it, and savage Cupid too, always sharpening his burning arrows on a bloody stone.

Add, that it’s you the young men are growing up for, a new set of slaves for you, and the old ones aren’t leaving their forsworn mistress’s roof either, though they have often threatened to.

It’s you that the mothers fear for their growing sons, you that the mean old men fear, and brides, though only just now married, fear that the waft of your appeal might make their husbands late.

`

More Poems by Horace

  1. Soracte
  2. Poscimur
  3. A prayer to Mercury
  4. A garland from the Muses
  5. A Prayer to the poetry-God
  6. The final ode
  7. Gathering rosebuds: carpe diem
  8. Horace rests from his labours
  9. Horace’s Cleopatra ode
  10. Lovely mother, lovelier daughter
  11. Pindar and Augustus
  12. Wealth should be used, not hoarded
  13. A plea for burial
  14. Horace the swan
  15. Stormy seas
  16. Don’t worry, be happy
  17. Iccius goes soldiering
  18. O Fons Bandusiae
  19. Tibur or Tarentum: a poet’s dilemma?
  20. What Roman youth should be
  21. Licymnia
  22. Postumus, the years slip by
  23. Pyrrha
  24. Diana and Apollo: a hymn
  25. Fortuna
  26. Glycera
  27. Horace’s prayer to a wine-jar
  28. Nereus prophesies the Trojan War
  29. Unrequited love
  30. Horace’s reverence to Bacchus
  31. Horace’s Chloe
  32. Some advice for Dellius
  33. An invitation to Maecenas
  34. Horace the peacemaker
  35. Pollio’s histories of civil war
  36. Last love
  37. Lalage is too young
  38. Celebrating Neptune’s feast day
  39. Relief from care
  40. The consolations of wine
  41. Horace’s wine
  42. Horace’s limitations
  43. Horace, the wolf and the upright life
  44. Numida’s back
  45. Here’s to Murena!
  46. Mourning for a good man
  47. Rome: disaster and salvation
  48. The tug-of-war for Nearchus
  49. Luxury versus the simple life
  50. Diffugere nives
  51. A prayer to Venus
  52. Horace’s monument
  53. The Golden Mean
  54. Augustus, master of the world
  55. Horace’s first Ode
  56. An oath to Maecenas
  57. The country is best
  58. Give me comfort, not riches
  59. The pleasures and dangers of wine
  60. Love a slave-girl? Oh, Xanthias!
  61. Valgius and Mystes
  62. Jealousy
  63. Carpe diem, Sestius
  64. Awe for the Gods
  65. Horace returns to lyric poetry
  66. Courage and decadence: the Regulus ode
  67. The fleeting years slip by
  68. Roman values for the new age
  69. A change of mind
  70. Housman and Horace
  71. Lydia’s tragedy
  72. Curse you, tree!
  73. Horace welcomes his army comrade
  74. A Farewell to arms