Odes 2.8

Don’t trust Barine

by Horace

This poem, in lively Sapphic metre, describes the stereotypical femme fatale, a woman who is able because of the strength of her attraction to get away with endless lies and broken promises to her men. So blatant is she that, not only Cupid and Venus, who have a special interest, but even the guileless nymphs have to laugh. Whether the poem and Barine, with her unusual, vaguely Greek name, are a pure literary exercise on a stock theme (commentators see echoes of the Greek poets Alcman and Callimachus), or whether Horace’s audience might have been intended to recognise a genuine contemporary individual or type under Barine’s disguise, is anybody’s guess. In the interests of balance we should say that lying and faithless men are also widely available, in ancient poetry and myth as in life.

Metre: Sapphic

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Ulla si iuris tibi peierati
poena, Barine, nocuisset umquam,
dente si nigro fieres vel uno
turpior ungui,

crederem; sed tu simul obligasti
perfidum votis caput, enitescis
pulchrior multo iuvenumque prodis
publica cura.

expedit matris cineres opertos
fallere et toto taciturna noctis
signa cum caelo gelidaque divos
morte carentis.

ridet hoc, inquam, Venus ipsa, rident
simplices Nymphae, ferus et Cupido
semper ardentis acuens sagittas
cote cruenta.

adde quod pubes tibi crescit omnis,
servitus crescit nova nec priores
impiae tectum dominae relinquunt
saepe minati.

te suis matres metuunt iuvencis,
te senes parci miseraeque nuper
virgines nuptae, tua ne retardet
aura maritos.

If any penalty for your perjury had ever harmed you, Barine, If you had ever been the uglier for it by one blackened tooth or nail,

I’d believe you, but no sooner have you staked your faithless life on your vows, than your gorgeousness shines out much more brilliantly even than before, stepping out in public, the young men’s idol.

You actually do well out of perjuring yourself on your mother’s buried ashes, on night’s silent standards and all the heavens with them, and on the Gods, who never know chill death!

Venus herself, I tell you, laughs at it, even the guileless nymphs laugh at it, and savage Cupid too, always sharpening his burning arrows on a bloody stone.

Add, that it’s you the young men are growing up for, a new set of slaves for you, and the old ones aren’t leaving their forsworn mistress’s roof either, though they have often threatened to.

It’s you that the mothers fear for their growing sons, you that the mean old men fear, and brides, though only just now married, fear that the waft of your appeal might make their husbands late.

`

More Poems by Horace

  1. The fleeting years slip by
  2. Lalage is too young
  3. Romulus becomes a God
  4. The lust for money versus the simple life
  5. An invocation to the lyre
  6. Valgius and Mystes
  7. Horace rests from his labours
  8. Diana and Apollo: a hymn
  9. Love a slave-girl? Oh, Xanthias!
  10. Neobule
  11. Here’s to Murena!
  12. Don’t worry, be happy
  13. Poscimur
  14. Awe for the Gods
  15. Soracte
  16. Horace the swan
  17. What Roman youth should be
  18. A country sacrifice
  19. Give me comfort, not riches
  20. Gathering rosebuds: carpe diem
  21. The consolations of wine
  22. An oath to Maecenas
  23. Luxury versus the simple life
  24. The pleasures and dangers of wine
  25. Jealousy
  26. Horace returns to lyric poetry
  27. Lydia’s tragedy
  28. Iccius goes soldiering
  29. Curse you, tree!
  30. A divine inspiration
  31. Mourning for a good man
  32. Horace’s Chloe
  33. Leave the cares of state, Maecenas
  34. Postumus, the years slip by
  35. A call for a moral renaissance
  36. Late stirrings
  37. A Farewell to arms
  38. The final ode
  39. Horace’s limitations
  40. A dedication to Diana
  41. Horace’s prayer to a wine-jar
  42. Unrequited love
  43. Tibur or Tarentum: a poet’s dilemma?
  44. Gyges’s constancy
  45. Stormy seas
  46. Fortuna
  47. Nereus prophesies the Trojan War
  48. Europa’s lament
  49. Horace welcomes his army comrade
  50. Caesar’s safe return
  51. A change of mind
  52. A prayer to Mercury
  53. Jupiter’s authority, and Caesar’s
  54. The country is best
  55. Carpe diem, Sestius
  56. An invitation to Maecenas
  57. Locked out
  58. Horace’s Cleopatra ode
  59. New temples, new morals
  60. Augustus, master of the world
  61. A Prayer to the poetry-God
  62. Glycera
  63. Relief from care
  64. A day off for rain
  65. Roman values for the new age
  66. A plea for burial
  67. Romulus in Heaven
  68. Pindar and Augustus
  69. Numida’s back
  70. Love lost and found
  71. Courage and decadence: the Regulus ode
  72. Wealth should be used, not hoarded
  73. Lovely mother, lovelier daughter
  74. A garland from the Muses
  75. Last love
  76. Horace’s monument
  77. Be your age, Chloris!
  78. The Golden Mean
  79. A prayer to Faunus
  80. Horace’s wine
  81. Horace’s reverence to Bacchus
  82. Celebrating Neptune’s feast day
  83. The tug-of-war for Nearchus
  84. Rome: disaster and salvation
  85. A prayer to Venus
  86. Licymnia
  87. O Fons Bandusiae
  88. Diffugere nives
  89. Pollio’s histories of civil war
  90. Horace’s first Ode
  91. Horace the peacemaker
  92. Some advice for Dellius
  93. Housman and Horace
  94. Horace, the wolf and the upright life
  95. Pyrrha
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