Ode 3.22

A dedication to Diana

by Horace

This poem is in the form of a dedicatory epigram addressed to Diana which might or might have been placed on a real pine tree. It might have been associated with an incident in Horace’s life, or have been a purely literary tribute or exercise – there was a Homeric hymn to Artemis as well as hymns by the Alexandrian poet Callimachus and, more recently, by Catullus. Diana was three-formed as the virgin goddess of the hunt, of the moon and, in more sinister guise, as Hecate with associations with crossroads and the underworld. “Puella” is a word used by Horace in contexts implying young married women.

Metre: Sapphics.

See the illustrated blog post here.

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Montium custos nemorumque, virgo,
quae laborantis utero puellas
ter vocata audis adimisque leto,
diva triformis,

imminens villae tua pinus esto,
quam per exactos ego laetus annos
verris obliquum meditantis ictum
sanguine donem.

Virgin guardian of mountains and groves, you who hear women in labour and save them from death when they call three times on thee, three-formed Goddess, let this pine leaning over the villa be thine, on which, happily, with each completed year, I shall bestow the blood of a boar-pig, pondering its sidelong blow.

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More Poems by Horace

  1. Horace’s monument
  2. A change of mind
  3. Pollio’s histories of civil war
  4. A divine inspiration
  5. A prayer to Faunus
  6. An invitation to Maecenas
  7. Carpe diem, Sestius
  8. Horace the swan
  9. An invocation to the lyre
  10. Horace rests from his labours
  11. A Farewell to arms
  12. Horace’s reverence to Bacchus
  13. Neobule
  14. Horace returns to lyric poetry
  15. Roman values for the new age
  16. Mourning for a good man
  17. The tug-of-war for Nearchus
  18. Unrequited love
  19. Caesar’s safe return
  20. Augustus, master of the world
  21. Soracte
  22. The fleeting years slip by
  23. O Fons Bandusiae
  24. Licymnia
  25. Housman and Horace
  26. Love a slave-girl? Oh, Xanthias!
  27. Horace welcomes his army comrade
  28. What Roman youth should be
  29. Love lost and found
  30. Rome: disaster and salvation
  31. Postumus, the years slip by
  32. Jupiter’s authority, and Caesar’s
  33. Nereus prophesies the Trojan War
  34. Horace’s prayer to a wine-jar
  35. Romulus becomes a God
  36. A plea for burial
  37. Give me comfort, not riches
  38. Horace the peacemaker
  39. The Golden Mean
  40. Relief from care
  41. Fortuna
  42. Lalage is too young
  43. Horace’s wine
  44. Iccius goes soldiering
  45. Celebrating Neptune’s feast day
  46. A day off for rain
  47. Stormy seas
  48. Courage and decadence: the Regulus ode
  49. Valgius and Mystes
  50. Pyrrha
  51. A garland from the Muses
  52. The final ode
  53. Horace’s first Ode
  54. Horace, the wolf and the upright life
  55. Lydia’s tragedy
  56. Tibur or Tarentum: a poet’s dilemma?
  57. Numida’s back
  58. New temples, new morals
  59. The pleasures and dangers of wine
  60. A Prayer to the poetry-God
  61. Wealth should be used, not hoarded
  62. An oath to Maecenas
  63. Here’s to Murena!
  64. Last love
  65. Romulus in Heaven
  66. Glycera
  67. Lovely mother, lovelier daughter
  68. A prayer to Venus
  69. The country is best
  70. Poscimur
  71. Don’t trust Barine
  72. Gyges’s constancy
  73. Don’t worry, be happy
  74. A country sacrifice
  75. The lust for money versus the simple life
  76. Curse you, tree!
  77. Locked out
  78. Awe for the Gods
  79. Luxury versus the simple life
  80. Be your age, Chloris!
  81. Jealousy
  82. Late stirrings
  83. Some advice for Dellius
  84. Diffugere nives
  85. Horace’s Chloe
  86. Gathering rosebuds: carpe diem
  87. Diana and Apollo: a hymn
  88. Horace’s Cleopatra ode
  89. Pindar and Augustus
  90. A prayer to Mercury
  91. The consolations of wine
  92. Horace’s limitations
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