Ode 1.14

Stormy seas

by Horace

What is this poem about? The image of the ship is surely not to be taken literally, so what does it stand for: the ship of state, as in so many poems, ancient and modern? But the generally accepted date of appearance of the first three books of Horace’s Odes is 23 BCE, by which time civil wars were over and the Emperor Augustus had Rome and its possessions firmly under his control, so implying that they were at risk might seem rather tactless. There have been various suggestions, including that the ship is either Horace’s poetic talent, or a love affair going through a stormy phase. The  most likely solution is surely that this is a “ship-of-State” poem written in earlier and more dangerous times, before the turning point of Octavian/Augustus’s victory at the Battle of Actium in 31 BCE, followed by the deaths of Mark Antony and Cleopatra.. At all events, the poem is certainly rousing: the language is vivid, often spilling over the line-breaks, and this and Horace’s artful use of metre carry the sense along in imitation of the swell of a pounding sea.

Metre: (fourth) Asclepiad, two standard twelve- syllable lines followed by a seven-syllable pherecretean and an eight-syllable glyconic.

See the illustrated blog post here.

To listen, press play.

To scroll the original and English translation of the poem at the same time - tap inside one box to select it and then scroll.

O navis, referent in mare te novi
fluctus. o quid agis? fortiter occupa
portum. nonne vides, ut
nudum remigio latus

et malus celeri saucius Africo
antemnaeque gemant ac sine funibus
vix durare carinae
possint imperiosius

aequor? non tibi sunt integra lintea,
non di, quos iterum pressa voces malo.
quamvis Pontica pinus,
silvae filia nobilis,

iactes et genus et nomen inutile:
nil pictis timidus navita puppibus
fidit. tu, nisi ventis
debes ludibrium, cave.

nuper sollicitum quae mihi taedium,
nunc desiderium curaque non levis,
interfusa nitentis
vites aequora Cycladas.

O Ship, fresh waves are bearing you back out to sea. O, what are you doing? Make hard for port! Don’t you see that your side is bare of oars,

and your mast is cracking under the racing gale, and that unless the hulls are shored up, ships can barely withstand the swelling power

of the sea? Your sails are no longer in one piece, and the gods, call on them over and over as you may, oppressed by your misfortune, are not with you! Though you are Pontic pine, the daughter of a noble woodland,

it would do no good to boast of your origins and your name: frightened sailors put no faith in painted ships. Take good care that you do not become the plaything of the gales!

You, who before were for so long my constant worry, and now my heart’s desire and heavy care, avoid the seas that flow between the shining Cyclades!

`

More Poems by Horace

  1. Mourning for a good man
  2. Unrequited love
  3. Courage and decadence: the Regulus ode
  4. Neobule
  5. Horace’s wine
  6. Carpe diem, Sestius
  7. O Fons Bandusiae
  8. Last love
  9. Horace’s monument
  10. Licymnia
  11. Be your age, Chloris!
  12. New temples, new morals
  13. Glycera
  14. Wealth should be used, not hoarded
  15. A call for a moral renaissance
  16. The tug-of-war for Nearchus
  17. A garland from the Muses
  18. Augustus, master of the world
  19. Lovely mother, lovelier daughter
  20. Horace invites – Virgil?
  21. The victories of Drusus and Tiberius
  22. A tactful compliment
  23. Caesar’s safe return
  24. Numida’s back
  25. Horace’s limitations
  26. Late stirrings
  27. Postumus, the years slip by
  28. Pyrrha
  29. Horace’s reverence to Bacchus
  30. Awe for the Gods
  31. Celebrating Neptune’s feast day
  32. Horace the swan
  33. A Prayer to the poetry-God
  34. Horace welcomes his army comrade
  35. The fleeting years slip by
  36. Lydia’s tragedy
  37. Gathering rosebuds: carpe diem
  38. A prayer to Mercury
  39. Horace’s fame and Apollo’s gift
  40. Pollio’s histories of civil war
  41. Iccius goes soldiering
  42. Augustus returns
  43. The pleasures and dangers of wine
  44. Leave the cares of state, Maecenas
  45. The Golden Mean
  46. Give me comfort, not riches
  47. A change of mind
  48. Some advice for Dellius
  49. A prayer to Venus
  50. Lalage is too young
  51. Poetry, the giver of immortality
  52. A day off for rain
  53. Locked out
  54. Tibur or Tarentum: a poet’s dilemma?
  55. Jupiter’s authority, and Caesar’s
  56. A plea for burial
  57. The consolations of wine
  58. Soracte
  59. Rome: disaster and salvation
  60. A divine inspiration
  61. An oath to Maecenas
  62. An invocation to the lyre
  63. Housman and Horace
  64. Horace returns to lyric poetry
  65. A dedication to Diana
  66. A Farewell to arms
  67. Augustus at the pinnacle
  68. A prayer to Faunus
  69. Fortuna
  70. Diana and Apollo: a hymn
  71. Lyce grows old
  72. Gyges’s constancy
  73. The country is best
  74. Romulus becomes a God
  75. A country sacrifice
  76. Ligurinus’s unwelcome change
  77. Horace’s Cleopatra ode
  78. Europa’s lament
  79. Jealousy
  80. Diffugere nives
  81. Don’t trust Barine
  82. Here’s to Murena!
  83. Horace’s prayer to a wine-jar
  84. Poscimur
  85. Relief from care
  86. Horace the peacemaker
  87. Curse you, tree!
  88. Don’t worry, be happy
  89. Horace’s first Ode
  90. Roman values for the new age
  91. Nereus prophesies the Trojan War
  92. Love lost and found
  93. Horace, accepted bard of Rome
  94. The final ode
  95. Horace, the wolf and the upright life
  96. Luxury versus the simple life
  97. Horace’s Chloe
  98. Valgius and Mystes
  99. Pindar and Augustus
  100. Romulus in Heaven
  101. What Roman youth should be
  102. Horace rests from his labours
  103. An invitation to Maecenas
  104. The lust for money versus the simple life
  105. Love a slave-girl? Oh, Xanthias!
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