Odes 1.23

Horace’s Chloe

by Horace

This elegant little poem, with a neat, epigrammatic conclusion in the final couplet, looks like another of the many standard subjects from Greek lyric that Horace draws on in many of his odes – “Chloe” can mean a green shoot in Greek. The converse variation on this theme also occurs in Horace, as advice to a friend not to pursue a girl who is still too young for love, but wait a little (Ode 2.5).

The metre is fourth Asclepiad.

See the illustrated blog post here.

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Vitas hinnuleo me similis, Chloe,
quaerenti pavidam montibus aviis
matrem non sine vano
aurarum et siluae metu.

nam seu mobilibus veris inhorruit
adventus foliis seu virides rubum
dimovere lacertae,
et corde et genibus tremit.

atqui non ego te tigris ut aspera
Gaetulusve leo frangere persequor:
tandem desine matrem
tempestiva sequi viro.

You avoid me like a young deer, Chloe, looking for his timid mother in the pathless hills, full of needless fear of the breezes and the wood:

for if the coming of spring has ruffled the leaves, or the green lizards have moved the brambles, his knees and heart are in a tremble.

But I am not pursuing you to tear you to pieces like a savage tigress or a desert lion from Africa: it’s time to stop following your mother, now that you’re fit to follow a husband.

`

More Poems by Horace

  1. Be your age, Chloris!
  2. Romulus in Heaven
  3. Courage and decadence: the Regulus ode
  4. Poscimur
  5. Mourning for a good man
  6. A garland from the Muses
  7. Luxury versus the simple life
  8. Love a slave-girl? Oh, Xanthias!
  9. Leave the cares of state, Maecenas
  10. Horace the swan
  11. Rome: disaster and salvation
  12. A plea for burial
  13. Caesar’s safe return
  14. Jupiter’s authority, and Caesar’s
  15. Lovely mother, lovelier daughter
  16. Don’t trust Barine
  17. Jealousy
  18. Lydia’s tragedy
  19. Glycera
  20. Soracte
  21. Horace the peacemaker
  22. Last love
  23. Horace’s first Ode
  24. Diffugere nives
  25. Postumus, the years slip by
  26. An oath to Maecenas
  27. Nereus prophesies the Trojan War
  28. Locked out
  29. New temples, new morals
  30. Lalage is too young
  31. The lust for money versus the simple life
  32. Horace’s reverence to Bacchus
  33. What Roman youth should be
  34. Horace’s wine
  35. The tug-of-war for Nearchus
  36. Wealth should be used, not hoarded
  37. Celebrating Neptune’s feast day
  38. The Golden Mean
  39. Stormy seas
  40. Horace, the wolf and the upright life
  41. Horace’s Cleopatra ode
  42. Pyrrha
  43. A Farewell to arms
  44. Here’s to Murena!
  45. Some advice for Dellius
  46. Unrequited love
  47. Horace rests from his labours
  48. A prayer to Faunus
  49. Tibur or Tarentum: a poet’s dilemma?
  50. A dedication to Diana
  51. A divine inspiration
  52. Pindar and Augustus
  53. Neobule
  54. Give me comfort, not riches
  55. A country sacrifice
  56. Late stirrings
  57. The consolations of wine
  58. Horace’s limitations
  59. Iccius goes soldiering
  60. The fleeting years slip by
  61. Romulus becomes a God
  62. Diana and Apollo: a hymn
  63. Horace returns to lyric poetry
  64. Pollio’s histories of civil war
  65. Housman and Horace
  66. Numida’s back
  67. A day off for rain
  68. The final ode
  69. Carpe diem, Sestius
  70. Europa’s lament
  71. The country is best
  72. Valgius and Mystes
  73. Gyges’s constancy
  74. Relief from care
  75. The pleasures and dangers of wine
  76. Gathering rosebuds: carpe diem
  77. Licymnia
  78. Horace’s monument
  79. A prayer to Mercury
  80. A change of mind
  81. A call for a moral renaissance
  82. Curse you, tree!
  83. Roman values for the new age
  84. An invocation to the lyre
  85. Augustus, master of the world
  86. Horace welcomes his army comrade
  87. Fortuna
  88. A Prayer to the poetry-God
  89. A prayer to Venus
  90. Awe for the Gods
  91. An invitation to Maecenas
  92. Love lost and found
  93. Horace’s prayer to a wine-jar
  94. Don’t worry, be happy
  95. O Fons Bandusiae
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