Odes 2.8

Don’t trust Barine

by Horace

This poem, in lively Sapphic metre, describes the stereotypical femme fatale, a woman who is able because of the strength of her attraction to get away with endless lies and broken promises to her men. So blatant is she that, not only Cupid and Venus, who have a special interest, but even the guileless nymphs have to laugh. Whether the poem and Barine, with her unusual, vaguely Greek name, are a pure literary exercise on a stock theme (commentators see echoes of the Greek poets Alcman and Callimachus), or whether Horace’s audience might have been intended to recognise a genuine contemporary individual or type under Barine’s disguise, is anybody’s guess. In the interests of balance we should say that lying and faithless men are also widely available, in ancient poetry and myth as in life.

Metre: Sapphic

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Ulla si iuris tibi peierati
poena, Barine, nocuisset umquam,
dente si nigro fieres vel uno
turpior ungui,

crederem; sed tu simul obligasti
perfidum votis caput, enitescis
pulchrior multo iuvenumque prodis
publica cura.

expedit matris cineres opertos
fallere et toto taciturna noctis
signa cum caelo gelidaque divos
morte carentis.

ridet hoc, inquam, Venus ipsa, rident
simplices Nymphae, ferus et Cupido
semper ardentis acuens sagittas
cote cruenta.

adde quod pubes tibi crescit omnis,
servitus crescit nova nec priores
impiae tectum dominae relinquunt
saepe minati.

te suis matres metuunt iuvencis,
te senes parci miseraeque nuper
virgines nuptae, tua ne retardet
aura maritos.

If any penalty for your perjury had ever harmed you, Barine, If you had ever been the uglier for it by one blackened tooth or nail,

I’d believe you, but no sooner have you staked your faithless life on your vows, than your gorgeousness shines out much more brilliantly even than before, stepping out in public, the young men’s idol.

You actually do well out of perjuring yourself on your mother’s buried ashes, on night’s silent standards and all the heavens with them, and on the Gods, who never know chill death!

Venus herself, I tell you, laughs at it, even the guileless nymphs laugh at it, and savage Cupid too, always sharpening his burning arrows on a bloody stone.

Add, that it’s you the young men are growing up for, a new set of slaves for you, and the old ones aren’t leaving their forsworn mistress’s roof either, though they have often threatened to.

It’s you that the mothers fear for their growing sons, you that the mean old men fear, and brides, though only just now married, fear that the waft of your appeal might make their husbands late.

`

More Poems by Horace

  1. Lalage is too young
  2. Numida’s back
  3. Mourning for a good man
  4. Locked out
  5. A plea for burial
  6. Curse you, tree!
  7. Celebrating Neptune’s feast day
  8. Glycera
  9. Pyrrha
  10. A country sacrifice
  11. Wealth should be used, not hoarded
  12. A Farewell to arms
  13. A Prayer to the poetry-God
  14. Unrequited love
  15. A dedication to Diana
  16. An invocation to the lyre
  17. Horace’s Cleopatra ode
  18. Horace, the wolf and the upright life
  19. A prayer to Mercury
  20. Horace’s limitations
  21. A divine inspiration
  22. Iccius goes soldiering
  23. Postumus, the years slip by
  24. The country is best
  25. Leave the cares of state, Maecenas
  26. Love lost and found
  27. Diana and Apollo: a hymn
  28. Gathering rosebuds: carpe diem
  29. Lydia’s tragedy
  30. Courage and decadence: the Regulus ode
  31. Don’t worry, be happy
  32. Gyges’s constancy
  33. Neobule
  34. The tug-of-war for Nearchus
  35. A prayer to Venus
  36. Romulus in Heaven
  37. Some advice for Dellius
  38. Give me comfort, not riches
  39. Tibur or Tarentum: a poet’s dilemma?
  40. A day off for rain
  41. Caesar’s safe return
  42. Romulus becomes a God
  43. Europa’s lament
  44. Soracte
  45. Horace rests from his labours
  46. Horace’s wine
  47. Jupiter’s authority, and Caesar’s
  48. The Golden Mean
  49. Lovely mother, lovelier daughter
  50. Housman and Horace
  51. Fortuna
  52. Horace the swan
  53. Horace’s first Ode
  54. A call for a moral renaissance
  55. Pindar and Augustus
  56. Horace welcomes his army comrade
  57. Horace’s monument
  58. Diffugere nives
  59. Pollio’s histories of civil war
  60. O Fons Bandusiae
  61. Here’s to Murena!
  62. The final ode
  63. Be your age, Chloris!
  64. Horace’s Chloe
  65. The pleasures and dangers of wine
  66. Rome: disaster and salvation
  67. An invitation to Maecenas
  68. Horace’s prayer to a wine-jar
  69. A prayer to Faunus
  70. Relief from care
  71. Augustus, master of the world
  72. An oath to Maecenas
  73. Licymnia
  74. Last love
  75. Carpe diem, Sestius
  76. Horace the peacemaker
  77. Stormy seas
  78. Horace’s reverence to Bacchus
  79. Awe for the Gods
  80. Late stirrings
  81. Love a slave-girl? Oh, Xanthias!
  82. Jealousy
  83. The consolations of wine
  84. The lust for money versus the simple life
  85. Valgius and Mystes
  86. Poscimur
  87. A garland from the Muses
  88. A change of mind
  89. Horace returns to lyric poetry
  90. Nereus prophesies the Trojan War
  91. What Roman youth should be
  92. New temples, new morals
  93. Roman values for the new age
  94. Luxury versus the simple life
  95. The fleeting years slip by
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