Odes 2.8

Don’t trust Barine

by Horace

This poem, in lively Sapphic metre, describes the stereotypical femme fatale, a woman who is able because of the strength of her attraction to get away with endless lies and broken promises to her men. So blatant is she that, not only Cupid and Venus, who have a special interest, but even the guileless nymphs have to laugh. Whether the poem and Barine, with her unusual, vaguely Greek name, are a pure literary exercise on a stock theme (commentators see echoes of the Greek poets Alcman and Callimachus), or whether Horace’s audience might have been intended to recognise a genuine contemporary individual or type under Barine’s disguise, is anybody’s guess. In the interests of balance we should say that lying and faithless men are also widely available, in ancient poetry and myth as in life.

Metre: Sapphic

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Ulla si iuris tibi peierati
poena, Barine, nocuisset umquam,
dente si nigro fieres vel uno
turpior ungui,

crederem; sed tu simul obligasti
perfidum votis caput, enitescis
pulchrior multo iuvenumque prodis
publica cura.

expedit matris cineres opertos
fallere et toto taciturna noctis
signa cum caelo gelidaque divos
morte carentis.

ridet hoc, inquam, Venus ipsa, rident
simplices Nymphae, ferus et Cupido
semper ardentis acuens sagittas
cote cruenta.

adde quod pubes tibi crescit omnis,
servitus crescit nova nec priores
impiae tectum dominae relinquunt
saepe minati.

te suis matres metuunt iuvencis,
te senes parci miseraeque nuper
virgines nuptae, tua ne retardet
aura maritos.

If any penalty for your perjury had ever harmed you, Barine, If you had ever been the uglier for it by one blackened tooth or nail,

I’d believe you, but no sooner have you staked your faithless life on your vows, than your gorgeousness shines out much more brilliantly even than before, stepping out in public, the young men’s idol.

You actually do well out of perjuring yourself on your mother’s buried ashes, on night’s silent standards and all the heavens with them, and on the Gods, who never know chill death!

Venus herself, I tell you, laughs at it, even the guileless nymphs laugh at it, and savage Cupid too, always sharpening his burning arrows on a bloody stone.

Add, that it’s you the young men are growing up for, a new set of slaves for you, and the old ones aren’t leaving their forsworn mistress’s roof either, though they have often threatened to.

It’s you that the mothers fear for their growing sons, you that the mean old men fear, and brides, though only just now married, fear that the waft of your appeal might make their husbands late.

`

More Poems by Horace

  1. Luxury versus the simple life
  2. The country is best
  3. Horace’s reverence to Bacchus
  4. Poscimur
  5. Valgius and Mystes
  6. A prayer to Venus
  7. Gyges’s constancy
  8. Fortuna
  9. The Golden Mean
  10. Soracte
  11. Glycera
  12. Awe for the Gods
  13. Love lost and found
  14. Locked out
  15. Horace’s limitations
  16. Love a slave-girl? Oh, Xanthias!
  17. Nereus prophesies the Trojan War
  18. Diffugere nives
  19. The fleeting years slip by
  20. Horace, the wolf and the upright life
  21. Horace’s first Ode
  22. A garland from the Muses
  23. Horace rests from his labours
  24. Rome: disaster and salvation
  25. A Farewell to arms
  26. Romulus becomes a God
  27. O Fons Bandusiae
  28. Horace’s Cleopatra ode
  29. Some advice for Dellius
  30. Pollio’s histories of civil war
  31. An oath to Maecenas
  32. Gathering rosebuds: carpe diem
  33. A plea for burial
  34. Postumus, the years slip by
  35. Augustus, master of the world
  36. Jealousy
  37. Here’s to Murena!
  38. Horace’s prayer to a wine-jar
  39. Numida’s back
  40. Lovely mother, lovelier daughter
  41. Lydia’s tragedy
  42. Last love
  43. Unrequited love
  44. Courage and decadence: the Regulus ode
  45. Jupiter’s authority, and Caesar’s
  46. Mourning for a good man
  47. What Roman youth should be
  48. Licymnia
  49. Lalage is too young
  50. Stormy seas
  51. The pleasures and dangers of wine
  52. A Prayer to the poetry-God
  53. Celebrating Neptune’s feast day
  54. Tibur or Tarentum: a poet’s dilemma?
  55. Horace’s Chloe
  56. Pindar and Augustus
  57. New temples, new morals
  58. An invitation to Maecenas
  59. Carpe diem, Sestius
  60. Curse you, tree!
  61. The final ode
  62. Housman and Horace
  63. The consolations of wine
  64. Give me comfort, not riches
  65. Horace the peacemaker
  66. Horace’s monument
  67. Roman values for the new age
  68. Horace the swan
  69. Wealth should be used, not hoarded
  70. Don’t worry, be happy
  71. Diana and Apollo: a hymn
  72. Romulus in Heaven
  73. The tug-of-war for Nearchus
  74. Horace returns to lyric poetry
  75. Pyrrha
  76. Neobule
  77. Relief from care
  78. Iccius goes soldiering
  79. A change of mind
  80. Horace welcomes his army comrade
  81. A prayer to Mercury
  82. Horace’s wine
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