Odes 2.8

Don’t trust Barine

by Horace

This poem, in lively Sapphic metre, describes the stereotypical femme fatale, a woman who is able because of the strength of her attraction to get away with endless lies and broken promises to her men. So blatant is she that, not only Cupid and Venus, who have a special interest, but even the guileless nymphs have to laugh. Whether the poem and Barine, with her unusual, vaguely Greek name, are a pure literary exercise on a stock theme (commentators see echoes of the Greek poets Alcman and Callimachus), or whether Horace’s audience might have been intended to recognise a genuine contemporary individual or type under Barine’s disguise, is anybody’s guess. In the interests of balance we should say that lying and faithless men are also widely available, in ancient poetry and myth as in life.

Metre: Sapphic

See the illustrated blog post here.

To listen, press play:

To scroll the original and English translation of the poem at the same time - tap inside one box to select it and then scroll.

Ulla si iuris tibi peierati
poena, Barine, nocuisset umquam,
dente si nigro fieres vel uno
turpior ungui,

crederem; sed tu simul obligasti
perfidum votis caput, enitescis
pulchrior multo iuvenumque prodis
publica cura.

expedit matris cineres opertos
fallere et toto taciturna noctis
signa cum caelo gelidaque divos
morte carentis.

ridet hoc, inquam, Venus ipsa, rident
simplices Nymphae, ferus et Cupido
semper ardentis acuens sagittas
cote cruenta.

adde quod pubes tibi crescit omnis,
servitus crescit nova nec priores
impiae tectum dominae relinquunt
saepe minati.

te suis matres metuunt iuvencis,
te senes parci miseraeque nuper
virgines nuptae, tua ne retardet
aura maritos.

If any penalty for your perjury had ever harmed you, Barine, If you had ever been the uglier for it by one blackened tooth or nail,

I’d believe you, but no sooner have you staked your faithless life on your vows, than your gorgeousness shines out much more brilliantly even than before, stepping out in public, the young men’s idol.

You actually do well out of perjuring yourself on your mother’s buried ashes, on night’s silent standards and all the heavens with them, and on the Gods, who never know chill death!

Venus herself, I tell you, laughs at it, even the guileless nymphs laugh at it, and savage Cupid too, always sharpening his burning arrows on a bloody stone.

Add, that it’s you the young men are growing up for, a new set of slaves for you, and the old ones aren’t leaving their forsworn mistress’s roof either, though they have often threatened to.

It’s you that the mothers fear for their growing sons, you that the mean old men fear, and brides, though only just now married, fear that the waft of your appeal might make their husbands late.

`

More Poems by Horace

  1. Unrequited love
  2. Horace rests from his labours
  3. Jealousy
  4. Licymnia
  5. Horace’s monument
  6. Gathering rosebuds: carpe diem
  7. The consolations of wine
  8. Stormy seas
  9. A Prayer to the poetry-God
  10. Awe for the Gods
  11. Here’s to Murena!
  12. The fleeting years slip by
  13. Augustus, master of the world
  14. Horace the peacemaker
  15. Curse you, tree!
  16. Wealth should be used, not hoarded
  17. Horace the swan
  18. Poscimur
  19. Horace, the wolf and the upright life
  20. Luxury versus the simple life
  21. An invitation to Maecenas
  22. Don’t worry, be happy
  23. Pyrrha
  24. Horace welcomes his army comrade
  25. Some advice for Dellius
  26. Carpe diem, Sestius
  27. Lalage is too young
  28. Fortuna
  29. Love a slave-girl? Oh, Xanthias!
  30. Courage and decadence: the Regulus ode
  31. Valgius and Mystes
  32. Celebrating Neptune’s feast day
  33. Diffugere nives
  34. Horace’s Chloe
  35. The final ode
  36. Relief from care
  37. Lydia’s tragedy
  38. Lovely mother, lovelier daughter
  39. Horace returns to lyric poetry
  40. A change of mind
  41. An oath to Maecenas
  42. Soracte
  43. A prayer to Venus
  44. The pleasures and dangers of wine
  45. Roman values for the new age
  46. Rome: disaster and salvation
  47. The country is best
  48. Mourning for a good man
  49. Numida’s back
  50. Horace’s wine
  51. Horace’s limitations
  52. The Golden Mean
  53. Horace’s reverence to Bacchus
  54. The tug-of-war for Nearchus
  55. Housman and Horace
  56. Pindar and Augustus
  57. A Farewell to arms
  58. Postumus, the years slip by
  59. Iccius goes soldiering
  60. O Fons Bandusiae
  61. A garland from the Muses
  62. Horace’s first Ode
  63. Give me comfort, not riches
  64. Glycera
  65. Tibur or Tarentum: a poet’s dilemma?
  66. A plea for burial
  67. Nereus prophesies the Trojan War
  68. Diana and Apollo: a hymn
  69. A prayer to Mercury
  70. Pollio’s histories of civil war
  71. Horace’s prayer to a wine-jar
  72. Last love
  73. What Roman youth should be
  74. Horace’s Cleopatra ode