Odes 2.8

Don’t trust Barine

by Horace

This poem, in lively Sapphic metre, describes the stereotypical femme fatale, a woman who is able because of the strength of her attraction to get away with endless lies and broken promises to her men. So blatant is she that, not only Cupid and Venus, who have a special interest, but even the guileless nymphs have to laugh. Whether the poem and Barine, with her unusual, vaguely Greek name, are a pure literary exercise on a stock theme (commentators see echoes of the Greek poets Alcman and Callimachus), or whether Horace’s audience might have been intended to recognise a genuine contemporary individual or type under Barine’s disguise, is anybody’s guess. In the interests of balance we should say that lying and faithless men are also widely available, in ancient poetry and myth as in life.

Metre: Sapphic

See the illustrated blog post here.

To listen, press play:

To scroll the original and English translation of the poem at the same time - tap inside one box to select it and then scroll.

Ulla si iuris tibi peierati
poena, Barine, nocuisset umquam,
dente si nigro fieres vel uno
turpior ungui,

crederem; sed tu simul obligasti
perfidum votis caput, enitescis
pulchrior multo iuvenumque prodis
publica cura.

expedit matris cineres opertos
fallere et toto taciturna noctis
signa cum caelo gelidaque divos
morte carentis.

ridet hoc, inquam, Venus ipsa, rident
simplices Nymphae, ferus et Cupido
semper ardentis acuens sagittas
cote cruenta.

adde quod pubes tibi crescit omnis,
servitus crescit nova nec priores
impiae tectum dominae relinquunt
saepe minati.

te suis matres metuunt iuvencis,
te senes parci miseraeque nuper
virgines nuptae, tua ne retardet
aura maritos.

If any penalty for your perjury had ever harmed you, Barine, If you had ever been the uglier for it by one blackened tooth or nail,

I’d believe you, but no sooner have you staked your faithless life on your vows, than your gorgeousness shines out much more brilliantly even than before, stepping out in public, the young men’s idol.

You actually do well out of perjuring yourself on your mother’s buried ashes, on night’s silent standards and all the heavens with them, and on the Gods, who never know chill death!

Venus herself, I tell you, laughs at it, even the guileless nymphs laugh at it, and savage Cupid too, always sharpening his burning arrows on a bloody stone.

Add, that it’s you the young men are growing up for, a new set of slaves for you, and the old ones aren’t leaving their forsworn mistress’s roof either, though they have often threatened to.

It’s you that the mothers fear for their growing sons, you that the mean old men fear, and brides, though only just now married, fear that the waft of your appeal might make their husbands late.

`

More Poems by Horace

  1. Courage and decadence: the Regulus ode
  2. Diffugere nives
  3. An invitation to Maecenas
  4. Horace’s prayer to a wine-jar
  5. Lalage is too young
  6. Horace, the wolf and the upright life
  7. A Farewell to arms
  8. The fleeting years slip by
  9. Rome: disaster and salvation
  10. New temples, new morals
  11. Augustus, master of the world
  12. Love lost and found
  13. Housman and Horace
  14. What Roman youth should be
  15. Gathering rosebuds: carpe diem
  16. Unrequited love
  17. Horace’s Chloe
  18. O Fons Bandusiae
  19. Jupiter’s authority, and Caesar’s
  20. Last love
  21. Horace’s reverence to Bacchus
  22. Carpe diem, Sestius
  23. The tug-of-war for Nearchus
  24. The consolations of wine
  25. Jealousy
  26. A Prayer to the poetry-God
  27. Horace’s limitations
  28. Celebrating Neptune’s feast day
  29. Awe for the Gods
  30. Horace returns to lyric poetry
  31. Some advice for Dellius
  32. Don’t worry, be happy
  33. The pleasures and dangers of wine
  34. Horace’s Cleopatra ode
  35. The Golden Mean
  36. Soracte
  37. Poscimur
  38. Diana and Apollo: a hymn
  39. Mourning for a good man
  40. Gyges’s constancy
  41. Fortuna
  42. Romulus in Heaven
  43. Iccius goes soldiering
  44. Horace rests from his labours
  45. Love a slave-girl? Oh, Xanthias!
  46. Roman values for the new age
  47. Licymnia
  48. Pyrrha
  49. A plea for burial
  50. Horace’s monument
  51. A change of mind
  52. Glycera
  53. Lydia’s tragedy
  54. Horace the peacemaker
  55. Here’s to Murena!
  56. Curse you, tree!
  57. Tibur or Tarentum: a poet’s dilemma?
  58. Horace’s wine
  59. A garland from the Muses
  60. A prayer to Mercury
  61. Postumus, the years slip by
  62. Horace’s first Ode
  63. A prayer to Venus
  64. Horace welcomes his army comrade
  65. Valgius and Mystes
  66. Give me comfort, not riches
  67. Locked out
  68. Romulus becomes a God
  69. Nereus prophesies the Trojan War
  70. Luxury versus the simple life
  71. The final ode
  72. Stormy seas
  73. The country is best
  74. Neobule
  75. Pindar and Augustus
  76. Pollio’s histories of civil war
  77. Horace the swan
  78. Relief from care
  79. An oath to Maecenas
  80. Lovely mother, lovelier daughter
  81. Wealth should be used, not hoarded
  82. Numida’s back
Privacy Overview

This website uses cookies so that we can provide you with the best user experience possible. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful.