Odes, 1.36

Numida’s back

by Horace

Numida is back in Rome from Spain, and Horace describes a party to celebrate. Numida and friends are definitely letting their hair down; Horace seems well-disposed, but personally detached from the action.

Roman custom marks the special day with a white chalk-mark, where we might use a red letter. A Thracian draught was “down-in-one”. Coming of age was marked by changing a boy’s toga (the “o” is short) for a man’s. Celery was liked at feasts for its pleasant smell, and was used for garlands. Numida is probably a returning soldier, which would help to explain, not only the heavy drinking, but also the sexual excitement. (In the 18th century, Sarah, the first Duchess of Marlborough, recorded that: “Today my Lord returned from the wars and pleasured me twice in his top-boots.”)

Metre: (second) Asclepiad, couplets in which a standard twelve-syllable line is preceded by an eight-syllable glyconic.

See the illustrated blog post here.

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Et ture et fidibus iuvat
placare et vituli sanguine debito
custodes Numidae deos,
qui nunc Hesperia sospes ab ultima
caris multa sodalibus,
nulli plura tamen dividet oscula
quam dulci Lamiae, memor
actae non alio rege puertiae
mutataeque simul togae.
Cressa ne careat pulchra dies nota
neu promptae modus amphorae
neu morem in Salium sit requies pedum
neu multi Damalis meri
Bassum Threicia vincat amystide
neu desint epulis rosae
neu vivax apium neu breve lilium.
omnes in Damalin putris
deponent oculos nec Damalis novo
divelletur adultero
lascivis hederis ambitiosior.

What a pleasure to appease Numida’s guardian gods with incense, music and the calf’s blood that we owe them! Numida, who now, safely back from the far reaches of Hesperia, lavishes so many kisses on dear friends, but none more than on his dearest Lamia, remembering both his boyhood, when Lamia alone was his king, and their coming of age together. Let this wonderful day be a red-letter one, bring out the wine-jars, and let them give full measure, let your feet not be idle in Salian dancing, and mind that Damalis, who loves wine in plenty, does not overwhelm Bassus with a Thracian draught; let there be no shortage of roses at the feast, or of long-lived celery and brief lilies; all will turn melting eyes on Damalis, who will not be torn from her new lover, embracing him more closely than the wanton ivy.

`

More Poems by Horace

  1. The consolations of wine
  2. Caesar’s safe return
  3. Glycera
  4. Horace, the wolf and the upright life
  5. Give me comfort, not riches
  6. Augustus returns
  7. Carpe diem, Sestius
  8. The Golden Mean
  9. Romulus in Heaven
  10. Diffugere nives
  11. Neobule
  12. Last love
  13. Horace rests from his labours
  14. New temples, new morals
  15. A prayer to Mercury
  16. Nereus prophesies the Trojan War
  17. Horace’s fame and Apollo’s gift
  18. A garland from the Muses
  19. Pindar and Augustus
  20. Gathering rosebuds: carpe diem
  21. Jealousy
  22. An invitation to Maecenas
  23. Poscimur
  24. The lust for money versus the simple life
  25. Horace returns to lyric poetry
  26. Be your age, Chloris!
  27. Horace’s reverence to Bacchus
  28. Augustus, master of the world
  29. The final ode
  30. Love a slave-girl? Oh, Xanthias!
  31. Unrequited love
  32. A plea for burial
  33. Pyrrha
  34. Some advice for Dellius
  35. Awe for the Gods
  36. Roman values for the new age
  37. Augustus at the pinnacle
  38. Horace the peacemaker
  39. An oath to Maecenas
  40. The fleeting years slip by
  41. Gyges’s constancy
  42. A prayer to Faunus
  43. The victories of Drusus and Tiberius
  44. Courage and decadence: the Regulus ode
  45. Ligurinus’s unwelcome change
  46. A Farewell to arms
  47. A tactful compliment
  48. A day off for rain
  49. A divine inspiration
  50. Lovely mother, lovelier daughter
  51. Postumus, the years slip by
  52. Love lost and found
  53. Horace’s prayer to a wine-jar
  54. Mourning for a good man
  55. Diana and Apollo: a hymn
  56. Licymnia
  57. Here’s to Murena!
  58. Jupiter’s authority, and Caesar’s
  59. Fortuna
  60. Europa’s lament
  61. Celebrating Neptune’s feast day
  62. Horace’s Chloe
  63. Horace, accepted bard of Rome
  64. Lalage is too young
  65. Don’t worry, be happy
  66. Don’t trust Barine
  67. Housman and Horace
  68. Relief from care
  69. An invocation to the lyre
  70. Romulus becomes a God
  71. A change of mind
  72. O Fons Bandusiae
  73. Lyce grows old
  74. Horace invites – Virgil?
  75. Horace’s first Ode
  76. Locked out
  77. Horace’s wine
  78. Horace the swan
  79. Horace’s Cleopatra ode
  80. A prayer to Venus
  81. A dedication to Diana
  82. Pollio’s histories of civil war
  83. Rome: disaster and salvation
  84. Leave the cares of state, Maecenas
  85. What Roman youth should be
  86. Horace’s monument
  87. Iccius goes soldiering
  88. A Prayer to the poetry-God
  89. Valgius and Mystes
  90. The pleasures and dangers of wine
  91. Poetry, the giver of immortality
  92. Luxury versus the simple life
  93. The country is best
  94. Stormy seas
  95. Late stirrings
  96. Soracte
  97. Lydia’s tragedy
  98. Wealth should be used, not hoarded
  99. Tibur or Tarentum: a poet’s dilemma?
  100. A country sacrifice
  101. Curse you, tree!
  102. A call for a moral renaissance
  103. The tug-of-war for Nearchus
  104. Horace welcomes his army comrade
  105. Horace’s limitations
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