Odes 1.21

Diana and Apollo: a hymn

by Horace

Hymns in the form that Horace adopts here go back to earlier ages in Greece, an opening command to a chorus being a conventional feature. Octavian, the future Emperor Augustus, consecrated a new temple to Apollo in Rome in 28 BCE, and it is likely that this is what prompted the poem: cult statues of the three gods first mentioned were erected in the new temple, and it became associated with commemoration of the future Augustus’s victory over Mark Antony and Cleopatra at the battle of Actium in 31 BCE.

Woods were the haunt of Diana as the goddess of the hunt: Algidus is thought to have been a mountain in Italy, while Erymanthus and Gragus were in Greece and Asia Minor respectively. Tempe was a Greek valley associated with Apollo in myth. The bow and the lyre are conventional attributes of Apollo: “his brother’s” because the lyre was a gift from Mercury, its mythical inventor. The metre is third Asclepiad.

See the illustrated blog post here.

To listen, press play:

To scroll the original and English translation of the poem at the same time - tap inside one box to select it and then scroll.

Dianam tenerae dicite virgines,
intonsum pueri dicite Cynthium
Latonamque supremo
dilectam penitus Iovi.

vos laetam fluviis et nemorum coma
quaecumque aut gelido prominet Algido
nigris aut Erymanthi
silvis aut viridis Gragi;

vos Tempe totidem tollite laudibus
natalemque, mares, Delon Apollinis
insignemque pharetra
fraternaque umerum lyra.

hic bellum lacrimosum, hic miseram famem
pestemque a populo et principe Caesare in
Persas atque Britannos
vestra motus aget prece.

Sing, young maidens, of Diana; boys, sing of long-haired Apollo; all, sing of their Mother, Latona, so deeply loved by almighty Jupiter. Girls, sing of Diana who delights in the wooded canopy, whether the foliage that leans out from the snowy peak of Algidus, or the dark woods of Erymanthus, or the green woods of Gragus. Boys, exalt with your praises Tempe, and Delos, Apollo’s birthplace, and his shoulder adorned by the quiver and his brother’s lyre. Moved by your prayer, he it is who will drive tear-drenched war, he who will drive grievous famine and plague, away from the Roman people and Caesar, our foremost citizen, and onto the Persians and Britons.

`

More Poems by Horace

  1. Horace returns to lyric poetry
  2. Some advice for Dellius
  3. Diffugere nives
  4. The country is best
  5. Licymnia
  6. Soracte
  7. Curse you, tree!
  8. Here’s to Murena!
  9. Housman and Horace
  10. The Golden Mean
  11. Jealousy
  12. A Farewell to arms
  13. Tibur or Tarentum: a poet’s dilemma?
  14. Awe for the Gods
  15. Gathering rosebuds: carpe diem
  16. Horace the swan
  17. Lydia’s tragedy
  18. Horace’s Cleopatra ode
  19. Celebrating Neptune’s feast day
  20. Numida’s back
  21. Pyrrha
  22. Roman values for the new age
  23. Relief from care
  24. Last love
  25. Nereus prophesies the Trojan War
  26. The pleasures and dangers of wine
  27. Wealth should be used, not hoarded
  28. Lovely mother, lovelier daughter
  29. Lalage is too young
  30. Give me comfort, not riches
  31. Poscimur
  32. Stormy seas
  33. What Roman youth should be
  34. A prayer to Mercury
  35. The consolations of wine
  36. A prayer to Venus
  37. Don’t trust Barine
  38. Luxury versus the simple life
  39. Fortuna
  40. Horace’s wine
  41. Horace the peacemaker
  42. Iccius goes soldiering
  43. Glycera
  44. Rome: disaster and salvation
  45. Horace’s monument
  46. The fleeting years slip by
  47. Carpe diem, Sestius
  48. A change of mind
  49. Postumus, the years slip by
  50. O Fons Bandusiae
  51. Courage and decadence: the Regulus ode
  52. Horace welcomes his army comrade
  53. An oath to Maecenas
  54. Valgius and Mystes
  55. Augustus, master of the world
  56. Mourning for a good man
  57. Horace, the wolf and the upright life
  58. Horace’s reverence to Bacchus
  59. Pindar and Augustus
  60. The final ode
  61. A Prayer to the poetry-God
  62. Don’t worry, be happy
  63. Horace’s Chloe
  64. Love a slave-girl? Oh, Xanthias!
  65. Pollio’s histories of civil war
  66. Unrequited love
  67. The tug-of-war for Nearchus
  68. A plea for burial
  69. A garland from the Muses
  70. Horace’s first Ode
  71. Horace’s prayer to a wine-jar
  72. Horace’s limitations
  73. Horace rests from his labours
  74. An invitation to Maecenas