This ode, in a sombre asclepiadic metre, is a notably effective piece on a stock theme: loss, acceptance and consolation. Scholars speculate about just who Quintilius was, but that he was respected by Horace and a friend of Virgil seems good enough reason in itself for him to be remembered. At the end of the poem, Mercury is shown as the guide of the souls of the dead to the underworld. His most famous appearance in this aspect is in the last book of the Odyssey, when he performs this function for Penelope’s suitors after Odysseus has killed them.
See the illustrated blog post here.
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