In a reference which few modern readers would recognise without the help of a learned commentary, the mathematician and sage, Pythagoras, makes an appearance in an ode which Horace, unusually, puts in the mouth of someone else, a drowned sailor who reflects on the inevitability of death while appealing to a passing mariner for the burial rites which would allow him to cross the river Styx into the underworld. Pythagoreans believed in reincarnation, and Horace refers very obliquely to an anecdote in which Pythagoras was supposed to have recognised in Hera’s temple in Argos a shield which belonged to him in a previous life as Euphorbus, a fighter in the Trojan war.

In a fresco from the tomb of Eurydice 1, Queen of Macedon, Persephone, Queen of the underworld, rides with Hades in his chariot.

Hear this unconventional and mysterious poem in Horace’s Latin and follow in English here.

Today sees a new sound recording in our post of the opening lines of Homer’s Odyssey. Hear Homer’s Greek and follow in English translation here.

The illustration shows the Sorceress, Circe, who is only one of the many dangers that Odysseus encounters on his … well … Odyssey.

Charles Baudelaire, a great poet of the modern era, turns like many others to the literature of the ancient world for an image which expresses his feelings about his artistic predicament. Hear his poem, “Les Plaintes d’un Icare”, read by Béatrice Damamme-Gilbert and follow in English here.

Although the myth of Icarus is now very familiar to us, it may have received less attention in the ancient world before Ovid celebrated it in his Metamorphoses. The earliest surviving literary references do not date from much before his time, and the difficulty of finding representations from earlier Greek vase painting may be another indication. You can hear Ovid’s treatment in the original and follow in English here.

In today’s post from his Georgics, Virgil explores the sexual instinct, common to men and animals. Hear the Latin and follow in English here; see the illustrated blog post with a horse painted by George Stubbs here.

In today’s Ode, Horace exclaims at the futility and presumption of the rich, who go in for grand building works, even encroaching on the sea in places like the luxurious seaside resort of Baiae. He prefers the simple life on his Sabine farm.

Horace uses Hipponactean metre, an unusual one found only here among his works. Hear his Latin performed in the original and follow in English here.

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