In Ovid’s Metamorphoses the satyr Marsyas meets a terrible end, skinned alive by Apollo, whose musical prowess he has dared to challenge.

Hear Ovid’s Latin and follow in English here.

See the illustrated blog post here.

In Ovid’s Metamorphoses there is often a sharp contrast between the elegance and charm of his style and the grim stories he tells. Book six, for example, has a sequence of episodes showing that it is unwise to cross either the Goddess Latona or Apollo and Artemis, her twin children by Jupiter. For performing flawlessly in a weaving contest against Artemis, Arachne has been turned into a spider. For belittling Latona’s divinity and her prowess as a mother, Niobe has been turned to stone by grief, having seen her fourteen children killed by Apollo and Artemis, and her husband, Amphion, die by suicide. In a grimly comic touch, an onlooker then tells the story of a group of peasants who were turned into frogs by Latona for denying her water. Now another recalls, almost in passing, the forfeit paid by the satyr and master aulos-player Marsyas for losing a musical contest: Apollo, the winner, skinned him alive.

‘quid me mihi detrahis?’ inquit;
‘a! piget, a! non est’ clamabat ‘tibia tanti!’
clamanti cutis est summos direpta per artus,
nec quicquam nisi vulnus erat; cruor undique manat …

“Why are you pulling me apart?” he cries, “Aaah! I wish I hadn’t done it! Aaah! No flute is worth as much as this!” he yelled. And as he did so, his skin was ripped off past the ends of his limbs and he was nothing but one big wound, and everywhere the blood flows … ”

Hear Ovid’s Latin and follow in English here.

Ovid and Horace's different takes on love

Recent additions to the Latin poetry pages include the first of what will be quite a few extracts from the works of Ovid, the last of the Big Four – the others being Horace, Virgil and Catullus – to feature. If you want to know more about them, there is information and the Augustan age in which the last three wrote on the “About the Poets” page. The piece – “Ovid’s broad-minded advice to his mistress” – is from his Amores and exemplifies his enthusiasm for good, old-fashioned sex. Continue reading “Ovid and Horace’s different takes on love”

In his poem, the Metamorphoses, Ovid is telling the story of King Midas, who should have been more careful what he wished for. In today’s blog illustration, Midas is shown demonstrating that his poor judgement in asking for the golden touch was not a one-off: he is awarding Pan the victory in a musical competition against the God Apollo. See and listen to the poem here.

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