Horace tells Xanthias the Greek that it’s absolutely fine to be in love with a slave, but does he mean it? Hear Horace’s Latin and follow in English here; see the illustrated blog post here.

A young girl is in love and powerless to do anything about it in Horace’s highly unusual Ode. Hear Horace’s Latin and follow in English here; see the illustrated blog post here.

Horace encounters a young woman whose attractions make him think again about his amorous days being over.

Hear Horace’s Latin and follow in English here; see the illustrated blog post here.

Pyrrha the femme fatale has a new lover, who has yet to find out that the experience is not destined to be all calm weather and plain sailing. Horace speaks as someone who has survived shipwreck in Pyrrha’s stormy waters, and in gratitude for his escape has hung his wet clothes on the temple wall as a thank-offering to the God of the sea (Neptune, or Cupid?)

In the illustration a more famous siren, Cleopatra, awaits a visit from Mark Antony.

Hear Horace’s Latin and follow in English here.

The Emperor Augustus felt that Roman virtues and values were being undermined by indulgence and luxury: Horace, in his most outspoken poem on a theme to which he often returned in the Odes, agrees. Hear Horace’s Latin and follow in English here.

In the illustration, a later Emperor, Heliogabalus, takes luxury to unparalleled and dangerous lengths.

Horace takes a cruel pleasure as an ex-lover loses her looks and her admirers. See Horace’s Latin and follow in English here; see the illustrated blog post here.

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