All of the Horace Odes on Pantheon Poets – currently 20 of them – are now available as a single selection arranged consecutively in Book order. Access it here and use the links to hear the poetry in the original Latin and follow in English translation.
In early 1914, Thomas Hardy unwittingly foreshadows the madness of the Great War. See and hear Hardy’s poem here: the reader is Harry MacFarland.
In the fourth Book of the Georgics, Virgil’s poem on farming and the countryside, he describes the life of bees. Hear his Latin and follow in English here.
Exploring the powerful sexual drive that acts on both people and animals, Virgil in his Georgics uses mares as his example of the creatures most sensitive of all to its compulsion. The illustration (a stallion not a mare, but from this angle it might be either) is the famous racehorse Whistlejacket, painted by George Stubbs. Hear Virgil’s Latin and follow in John Dryden’s seventeenth-century English here.
Glande sues laeti redeunt: the pigs come home regaled with acorns … in Virgil’s rural paradise, even the livestock live off the fat of the land. The swineherd knocking down mast from the trees for his animals is from a famous late-mediaeval Book of Hours, the Très Riches Heures du Duc de Berry.
Hear Virgil’s Latin and follow in John Dryden’s charming but not very faithful 17th century translation here.
Pausing in his countryside poem, the Georgics, Virgil looks ahead to the composition of a poem on a loftier theme – the glorification of the Emperor Augustus through the Aeneid. Hear the Latin and follow in English here.
Farmers have an easy life, according to Virgil in his Georgics. But would they agree? Hear Virgil’s rose-coloured poem in Latin and follow in English here.
Not everyone welcomed the Paris of the boulevards that we so admire today when in the nineteenth century swathes of a much-loved, ancient city were swept away to make way for it. Today’s poem uses the classical motif of Andromache, widow of Troy’s greatest warrior, Hector, and the image of a trapped and desperate swan to express Baudelaire’s vision of Paris changed for ever and the anguish of all those who long for something irretrievably lost. Hear the poem in the original French and follow in English here.