Jupiter has saved Aeneas’s fleet from burning and his father Anchises appears with an invitation to visit him in the Elysian fields. The illustration, by William Blake Richmond, shows Anchises in his younger days when he first met Aeneas’s mother, the Goddess Venus. Hear the poem here.
Acting as a priest, the Trojan Helenus, now by a favourable reverse of fortunes the ruler of Achilles’s former kingdom, makes a curious prophecy that centres on a white sow with thirty piglets. Perhaps he had covered his head to officiate at the sacrifice, as was the later Roman custom. The Roman shown here is the Emperor Augustus, dressed as the Pontifex Maximus (High Priest). Hear the poem in Latin with an English translation here.
Aeneas in his underworld journey has come to the dread penitentiary of Tartarus. He cannot cross the cursed threshold but the Sibyl, his companion and guide through Hades, explains what he is hearing and seeing. Hear the Latin and follow in English here.
Today’s new poem is an encounter between Aeneas and the Harpies, half-women, half savage birds. Things do not go well, and the Harpies give Aeneas an unwelcome prophecy.
Today’s new Latin poem is from Virgil’s Aeneid. It sets the scene for Aeneas, as an honoured guest at the court of Dido, Queen of Carthage, to describe the fall of Troy. He is a Trojan prince, and the story he tells will be first-hand, vivid and full of drama, and a rarer subject in ancient literature than you might suppose – Homer’s Iliad ends before Troy falls. As Book 2 begins, Aeneas’s superhuman dignity and charisma are meant to remind us of his descendant, the Emperor Augustus.