The efforts of Juno, queen of the Gods, to sow dissension between Aeneas and his Italian hosts are in full swing, with the help of the Fury, Allecto. Disguised at first as an old woman, Allecto now reveals herself to Turnus in her full and terrifying reality.
Hear the Latin and follow in English here.
Jupiter has saved Aeneas’s fleet from burning and his father Anchises appears with an invitation to visit him in the Elysian fields. The illustration, by William Blake Richmond, shows Anchises in his younger days when he first met Aeneas’s mother, the Goddess Venus. Hear the poem here.
Acting as a priest, the Trojan Helenus, now by a favourable reverse of fortunes the ruler of Achilles’s former kingdom, makes a curious prophecy that centres on a white sow with thirty piglets. Perhaps he had covered his head to officiate at the sacrifice, as was the later Roman custom. The Roman shown here is the Emperor Augustus, dressed as the Pontifex Maximus (High Priest). Hear the poem in Latin with an English translation here.
Aeneas in his underworld journey has come to the dread penitentiary of Tartarus. He cannot cross the cursed threshold but the Sibyl, his companion and guide through Hades, explains what he is hearing and seeing. Hear the Latin and follow in English here.
Today’s new poem is an encounter between Aeneas and the Harpies, half-women, half savage birds. Things do not go well, and the Harpies give Aeneas an unwelcome prophecy.
The River Tiber has stilled his flow so that Aeneas with two ships can row upstream to meet a potential ally, King Evander of the Arcadians – whose city, Pallanteum, now stands where Rome will be in time to come. Evander gives a guided tour and welcomes Aeneas into his home, where previous visitors have included Hercules himself. The illustration is from a 5th century manuscript of Virgil in the Vatican.
Hear the Latin and follow in English here.
