A young girl is in love and powerless to do anything about it in Horace’s highly unusual Ode. Hear Horace’s Latin and follow in English here; see the illustrated blog post here.

Horace encounters a young woman whose attractions make him think again about his amorous days being over.

Hear Horace’s Latin and follow in English here; see the illustrated blog post here.

Pyrrha the femme fatale has a new lover, who has yet to find out that the experience is not destined to be all calm weather and plain sailing. Horace speaks as someone who has survived shipwreck in Pyrrha’s stormy waters, and in gratitude for his escape has hung his wet clothes on the temple wall as a thank-offering to the God of the sea (Neptune, or Cupid?)

In the illustration a more famous siren, Cleopatra, awaits a visit from Mark Antony.

Hear Horace’s Latin and follow in English here.

Horace complains to a promising young soldier – via his girlfriend, Lydia – that his preoccupation with her is ruining him. Hear Horace’s Latin and follow in English here; see the illustrated blog post here.

In detached mood, Horace takes a look at the predicament of a once-popular courtesan who has begun to lose her looks, and with them, the attention of the virile young lovers she craves. The illustration is a Roman funerary portrait from the second century CE.

Hear Horace’s original Latin and follow in English translation here.

As well as the messenger of the Gods, Mercury was an incorrigible, but irresistibly playful, thief. Hear Horace’s Latin and follow in English here; see the illustrated blog post here.

A respected Roman has died. Horace gives him due praise and reminds us that what can’t be remedied must be endured.

Hear Horace’s Latin and follow in English here.

See the illustrated blog post here.

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