Thunder from a clear sky reveals to Horace the real presence of the Father of the Gods.
See and hear Horace’s Latin translated and recited here.
Erysichthon’s terrible hunger, the punishment inflicted on him by the Goddess Ceres, drives him to sell his own daughter: she finds a way to escape her new master, but there is no way for Erysichthon to escape a terrible death.
Hear Ovid’s Latin and follow in English translation here.
The Thessalian King Erysichthon holds the Gods in contempt. He has not only cut down Ceres’s sacred oak and killed the Dryad within, but boasted that he would do the same for Ceres herself, given the opportunity. We have already met the agent that Ceres has chosen to revenge herself on him: Fames, the personification of Hunger. Now, having received her orders, she slips down to the Earth to carry them out …
Hear Ovid’s Latin and follow in English here.
Erysichthon has offended the Goddess of plenty: now Ceres chooses as the instrument of her terrible revenge her antithesis, Fames, who personifies famine and hunger.
Hear Ovid’s chilling description of her in Latin and follow in English here.
Erysichthon, the blasphemer, begins Ovid’s horror-story about crime and punishment in his metamorphoses. The oak-tree in the picture, the Fredville Oak, has a roughly similar circumference to Ceres’s sacred tree, which Erysichthon is about to profane.
Hear Ovid’s Latin and follow in English here.
Philemon and Baucis’s goose has a narrow escape, as Ovid tells the story of the old couple who became legendary for their generosity and proverbial for love between wife and husband.
Hear Ovid’s Latin and listen in English here.
Photo by VladoubidoOo, licence details at photo credits.
Philemon and Baucis are the poorest of the poor, but when the immortals arrive in disguise and ask for hospitality, their response is immediate and their generosity boundless. Ovid in the Metamorphoses sometimes plays the rather rickety old gentleman and his kindly wife for laughs, but their open-handedness and the warmth of their welcome are heartwarming nevertheless. The next post will tell the end of their story.
Hear Ovid’s Latin and follow in English here.
In a charming poem tinged with darker themes and written in elegant Alcaic metre, Horace reflects on the destructive power of anger, and promises a lovely mother and her even lovelier daughter that he will never return to writing iambics – a metre famed among the Greeks and Romans for personal attacks and lampoons. In the illustration by the Japanese woodblock print designer Utamaro, a lovely mother teaches her even lovelier daughter the art of calligraphy.
Hear Horace’s Latin and follow in English here.
Cynthia is away, probably at the luxurious seaside resort of Baiae, with its entertainments, attractions and temptations. What is she up to? Propertius is afraid that the separation has broken the bond between them, and that a great love may be dead or dying. Not for the first or last time, his imagination is torturing him. Nevertheless he asserts – in the face of some of the evidence – that he is a one-woman man. Cynthia was the first, he says, and she will be his last.
Hear Propertius’s Latin and follow in English here.