Dante Alighieri

c. 1265 - 1321

One of the greatest Italian (and European) poets of the middle ages and successor to Virgil as a poet of the afterworld.

Inferno Canto 1 lines 61 - 85

Dante and Virgil meet

Mentre ch' io rovinava in basso loco

Dante and Virgil meet

Goethe

1749-1832

In addition to his great work founded on the traditions of German culture and folklore, he was strongly influenced by Latin poets and poetry, especially following a visit to Rome which made a deep impression on him in the 1780s.

Roman Elegies XI

The Poet’s study

For you, O Graces

Goethe's study's classical décor

An den Mond

Füllest wieder Busch und Tal

Goethe to the Moon

Es war ein König in Thule

Es war ein König in Thule

Love and loyalty from Goethe's Faust

Gottfried Keller

1819 - 1890

Nineteenth-century Swiss novelist, author of short stories and poet, writing in German.

Waldlied (Forest Song)

Arm in Arm und Kron' an Krone steht der Eichenwald verschlungen,

A fine Swiss poet uses ancient myth.

Gray

18th Century

Eighteenth century poet and scholar

Ode on a Distant Prospect of Eton College

Eton College in the gateway to Orcus

Vestibulum ante ipsum primisque in faucibus Orci

Virgil's traces are visible in this eighteenth-century poet

Thomas Hardy

Hardy

1840-1928

An unflinching chronicler of an unforgiving century in his novels, Hardy's compassion and humanity perhaps show through more clearly in his poems.

Proud songsters

The thrushes sing as the light is going

Hardy shares his sadness and his flair for nature

Channel Firing

That night your great guns, unawares

The madness and inevitability of war

Henley

1849 - 1902

W E Henley, poet, critic and friend of R L Stevenson and J M Barrie

“A late lark” and “Madam Life”

Madam Life's a Piece in Bloom

Contrasting takes on death by the Victorian W E Henley

Homer

Eighth or seventh century BCE?

Author of the Iliad and the Odyssey and accepted in the ancient world as the greatest writer of epic.

Odyssey Book 1, lines 1-10

The Odyssey begins

ἄνδρα μοι ἔννεπε, μοῦσα, πολύτροπον,

Tell me, Muse, of the resourceful Odysseus

Iliad Book 1, lines 1-21

The Iliad begins

μῆνιν ἄειδε θεὰ Πηληϊάδεω Ἀχιλῆος

Sing O Muse of the wrath of Achilles

Iliad Book 6, lines 441 - 473

Andromache and Hector

Ἀνδρομάχη δέ οἱ ἄγχι παρίστατο δάκρυ χέουσα

Don't take risks, begs Andromache

Odyssey, Book 9, lines 182 - 215

The Cave of the Cyclops

ἔνθα δ᾽ ἐπ᾽ ἐσχατιῇ σπέος εἴδομεν ἄγχι θαλάσσης

Odysseus and his companions find the cave of the Cyclops

Odyssey Book 9, lines 216-249

Enter the Cyclops

καρπαλίμως δ᾽ εἰς ἄντρον ἀφικόμεθ᾽, οὐδέ μιν ἔνδον

The wait for Polyphemus's arrival

Odyssey Book 9 , lines 250-335

The Ordeal in the Cave

αὐτὰρ ἐπεὶ δὴ σπεῦσε πονησάμενος τὰ ἃ ἔργα

The Cyclops shows his true colours

Odyssey Book 9, lines 336-414

The Blinding

ἑσπέριος δ᾽ ἦλθεν καλλίτριχα μῆλα νομεύων

Odysseus and his men fight back

Odyssey Book 9, lines 415-463

The Escape from the Cave

Κύκλωψ δὲ στενάχων τε καὶ ὠδίνων ὀδύνῃσι

Odysseus has blinded the Cyclops, but remains trapped in the cave

Odyssey, Book 9, lines 464-535

Polyphemus’s prayer

καρπαλίμως δὲ τὰ μῆλα ταναύποδα, πίονα δημῷ

Odysseus's fateful mistake

Odyssey, Book 9, lines 536-564

The Ithacans’ fate is sealed

Horace

Horace

65BCE - 8BCE

Horace, with Virgil, is one of the twin giants of poetry in the time of Augustus. While Virgil was taking the Greek tradition of epic poetry and giving it a new set of completely Roman clothes with the Aeneid, Horace was taking the Greek tradition of lyric poetry that was the established stock-in-trade for much non-epic Roman poetry, and giving it a new and distinctly Roman character.

Odes, 1.1

Horace’s first Ode

Maecenas atavis edite regibus

Horace dedicates his first Ode to his patron, Maecenas

Odes 1.2

Rome: disaster and salvation

Iam satis terris nivis atque dirae

Horace exalts Augustus, the saviour of Rome from civil war

Odes 1.3

Virgil’s perils on the sea

Sic te diva potens Cypri

Horace prays for a safe voyage for Virgil

Odes Book 1.4

Carpe diem, Sestius

Solvitur acris hiems grata vice veris et Favoni

The joys of spring are short, Sestius

Odes 1.5

Pyrrha

Quis multa gracilis te puer in rosa

Horace escapes drowning in the sea of love

Odes 1.6

Horace’s limitations

Scriberis Vario fortis et hostium

Horace admits his limitations ... ?

Odes 1.9

Soracte

Vides ut alta stet nive candidum Soracte

Life is short – enjoy it while you are young

Odes 1.11

Gathering rosebuds: carpe diem

Tu ne quaesieris (scire nefas) quem mihi, quem tibi

Carpe diem

Odes 1.13

Jealousy

Cum tu, Lydia, Telephi

The torments of jealousy

Ode 1.14

Stormy seas

O navis, referent in mare te novi

Cares for the state?

Odes 1.16

Lovely mother, lovelier daughter

O matre pulchra filia pulchrior

Horace recants

Horace Odes, Book 1.22

Horace, the wolf and the upright life

Integer vitae scelerisque purus

The upright life protects Horace from a wolf

Odes 1.23

Horace’s Chloe

Vitas hinnuleo me similis, Chloe

Time to grow up, Chloe

Odes 1.25

Lydia’s tragedy

Parcius iunctas quatiunt fenestras

The decline of a beauty

Ode 1.32

Poscimur

Poscimur. Si quid vacui sub umbra

The strapline for the first line

Odes 1.34

A change of mind

Parcus deorum cultor et infrequens

Thunder from a clear sky shakes Horace's convictions

Odes 1.37

Horace’s Cleopatra ode

Nunc est bibendum

Horace celebrates the defeat of Cleopatra

Odes 1.38

Horace rests from his labours

Persicos odi, puer, apparatus

A well-earned drink

Odes 2.3

Some advice for Dellius

Aequam memento, rebus in arduis

Carpe diem, Dellius

Odes 2.6

Tibur or Tarentum: a poet’s dilemma?

Septimi, Gadis aditure mecum

Tibur or Tarentum: a poet's dilemma?

Odes 2.7

Horace welcomes his army comrade

O saepe mecum tempus in ultimum

Horace welcomes his army comrade

Odes 2.8

Don’t trust Barine

Ulla si iuris tibi peierati

Barine, who gets away with anything

Odes 2.18

Luxury versus the simple life

Non ebur neque aureum

Horace and the follies of the rich

Odes Book 2. 19

Horace’s reverence to Bacchus

Bacchum in remotis carmina rupibus

Horace's hymn to Bacchus

Odes Book 3.1

Give me comfort, not riches

Odi profanum volgus et arceo

Wealth is not the answer

Odes 3.2

What Roman youth should be

Angustam amice pauperium pati

Dulce et decorum est pro patria mori

Odes 3.5

Courage and decadence: the Regulus ode

Caelo tonantem credidimus Iovem regnare

Horace's Regulus ode

Odes 3.8

An invitation to Maecenas

Martiis caelebs quid agam kalendis

A fulsome compliment to Horace's patron Maecenas

Odes 3.13

O Fons Bandusiae

O fons Bandusiae, splendidior vitro

Horace's tribute to a spring

Odes 3.19

Here’s to Murena!

Quantum distet ab Inacho

Horace celebrates

Odes 3.20

The tug-of-war for Nearchus

Non vides quanto moveas periclo

Pyrrhus has a fight on his hands for Nearchus.

Odes 3.21

Horace’s prayer to a wine-jar

O nata mecum consule Manlio

Horace's prayer to a wine-jar

Odes 3.28

Celebrating Neptune’s feast day

Festo quid potius die festo Neptuni faciam?

Horace celebrates Neptune's feast day

Odes 3.30

Horace’s monument

Exegi monumentum aere perennius

Horace concludes the Odes - or so he thinks

Odes, Book 4, Ode 1

Horace returns to lyric poetry

Intermissa, Venus, diu

Love at fifty

Odes 4.7

Diffugere nives

Diffugere nives, redeunt iam gramina campis

Death comes to us all

Odes 4.7

Housman and Horace

Gratia cum Nymphis geminisque sororibus audet

The snows are fled away, leaves on the shaws

Odes 4.11

Last love

Est mihi nonum superantis annum

Horace courts his last love

Odes 4.15

The final ode

Phoebus volentem proelia me loqui

Horace signs off with Augustus's praises

James Joyce

James Joyce

1882 - 1941

The character based on Joyce himself in his books is surnamed Dedalus, after the mythical master artist and maker of labyrinths: Joyce was both.

Anna Livia Plurabelle

Buy a book in brown paper from Faber and Faber

Anna Livia Plurabelle

From "Pomes, Pennyeach"

Tilly

He travels after a winter sun

Joyce's feelings on the death of his mother